Started as a visual diary, ‘Ravedeath Convention’ soon grew into a hybrid of autobiography and fiction. While love, joy and friendship are explored, violence and excess come about too, often captured only as traces and symptoms. A collision of different, occasionally mismatched, cultural symbols stresses the all-embracing blend of subcultres as a fundamental feature of our times.

The first pictures taken at age thirteen, this series of black and white images is the edit of a continuous process of photographing, revisiting and reworking over a span of ten years. In the crippled prints the physical presence of body and photograph merge, celebrating human imperfection. The title references Tim Hecker’s album ‘Ravedeath,1972’.

La construction - Perrine Le Querrec
Prose postérieure - Les commissaires anonymes
Aristide n°4
Dernier royaume - Quentin Derouet
Pénurie - Zivo, Jérôme Meizoz
Sillo n°3 - Le Fauve
Shanghai Cosmetic - Leslie Moquin
Holy etc. - Fabienne Radi
Gros Gris n°4 - Duel
Je ne peux pas ne pas - Geneviève Romang
Aurore Colbert - Marie Mons 























