Started as a visual diary, ‘Ravedeath Convention’ soon grew into a hybrid of autobiography and fiction. While love, joy and friendship are explored, violence and excess come about too, often captured only as traces and symptoms. A collision of different, occasionally mismatched, cultural symbols stresses the all-embracing blend of subcultres as a fundamental feature of our times.

The first pictures taken at age thirteen, this series of black and white images is the edit of a continuous process of photographing, revisiting and reworking over a span of ten years. In the crippled prints the physical presence of body and photograph merge, celebrating human imperfection. The title references Tim Hecker’s album ‘Ravedeath,1972’.

Mosaïque d'asphalte - Jack Torrance
Sillo n°3 - Le Fauve
Cruiser l'utopie – L'après et ailleurs de l'advenir queer - José Esteban Muñoz
Sans titre - Benjamin Hartmann
ARTZINES #1, Paris issue
Prose postérieure - Les commissaires anonymes
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
Konrad Becker - Dictionnaire de réalité stratégique
Gros Gris n°4 - Duel
L'abécédaire d'un typographe - Gerrit Noordzij; Jost Hochuli
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Aristide n°4
Musée des Beaux-Arts - Pierre Martel
The Shelf - Journal 3
Shanghai Cosmetic - Leslie Moquin 























