Started as a visual diary, ‘Ravedeath Convention’ soon grew into a hybrid of autobiography and fiction. While love, joy and friendship are explored, violence and excess come about too, often captured only as traces and symptoms. A collision of different, occasionally mismatched, cultural symbols stresses the all-embracing blend of subcultres as a fundamental feature of our times.

The first pictures taken at age thirteen, this series of black and white images is the edit of a continuous process of photographing, revisiting and reworking over a span of ten years. In the crippled prints the physical presence of body and photograph merge, celebrating human imperfection. The title references Tim Hecker’s album ‘Ravedeath,1972’.

America - Ayline Olukman, Hélène Gaudy
Le vieux père - Laurent Kropf
The Shelf - Journal 3
Il est si difficile de trouver le commencement - Helen Thorington
Seoul Flowers & Trees - tribute to Lee Friedlander
52 vendredis — Léonore Emond, Damien Duparc, Yaïr Barelli et Charlotte York
Jérôme LeGlatin (avec Mel Crawford) - Le Crash
Anthologie Douteuses (2010—2020) - Élodie Petit & Marguerin Le Louvier
La troisième oreille et autres textes + CD - Bryan Lewis Saunders
Quels problèmes les artistes éditeurices peuvent-iels résoudre ? - Collectif
Blaclywall by Sihab Baik - Claude Closky
Eros negro n°3 - Démoniak
Temps d'arrêt - Etienne Buyse 























