Started as a visual diary, ‘Ravedeath Convention’ soon grew into a hybrid of autobiography and fiction. While love, joy and friendship are explored, violence and excess come about too, often captured only as traces and symptoms. A collision of different, occasionally mismatched, cultural symbols stresses the all-embracing blend of subcultres as a fundamental feature of our times.

The first pictures taken at age thirteen, this series of black and white images is the edit of a continuous process of photographing, revisiting and reworking over a span of ten years. In the crippled prints the physical presence of body and photograph merge, celebrating human imperfection. The title references Tim Hecker’s album ‘Ravedeath,1972’.

Eros negro #2 - Demoniak
La traversée - Magali Brueder
Pureté et impureté de l’art. Michel Journiac et le sida Antoine Idier
Tanière de lune - Maria-Mercé Marçal
Saint Julien l'hospitalier Tome 1 - Claire Pedot
Temps d'arrêt - Etienne Buyse
Gros Gris n°4 - Duel
Revue La Ronde n°14
Après la révolution – numéro 1
Distant Egghug - Peter McDonald
Le singe et le bijoux - Roxane Lumeret
Le dos des choses - Guillaume Goutal
Le vieux père - Laurent Kropf
Talweg 6 - La distance
Poster Tribune # 11
Imagos - Noémie Lothe
Le déclin du professeur de tennis - Fabienne Radi
Le corps travesti - Michel Journiac
Good Company - Paul Van der Eerden
Future Book(s) Sharing Ideas on Books and (Art) Publishing - dir. Pia Pol, Astrid Vorstermans
Shanghai Cosmetic - Leslie Moquin
Blaclywall by Sihab Baik - Claude Closky
Pectus Excavatum - Quentin Yvelin
Typologie – La tente de camping
Paysageur n°3 - Mobiles
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
A l'origine - Anne-Émilie-Philippe
Critique d'art n°56 























