Started as a visual diary, ‘Ravedeath Convention’ soon grew into a hybrid of autobiography and fiction. While love, joy and friendship are explored, violence and excess come about too, often captured only as traces and symptoms. A collision of different, occasionally mismatched, cultural symbols stresses the all-embracing blend of subcultres as a fundamental feature of our times.

The first pictures taken at age thirteen, this series of black and white images is the edit of a continuous process of photographing, revisiting and reworking over a span of ten years. In the crippled prints the physical presence of body and photograph merge, celebrating human imperfection. The title references Tim Hecker’s album ‘Ravedeath,1972’.

Blanche Endive - Grégoire Motte & Gabriel Mattei
Artzines # 10 - Show & Tell #2 NY Special
Image Canoë - Jérémie Gindre
Aristide n°4
La typographie des Penguin Classics - Andrew Barker
Saint Julien l'hospitalier Tome 3 - Claire Pedot
Un peu comme voir dans la nuit - Leif Elggren + CD
Gros Gris n°4 - Duel
Rupture (fragments) - Benjamin Monti, Jean-Charles Andrieu de Levis
Cyclone - Juliette Chalaye
Le dos des choses - Guillaume Goutal
Après la révolution – numéro 1
Alma Mater n°1
Les glaciers - Lorraine Druon
Perturbations - Rosaire Appel
Photographic Fields - Joël Van Audenhaege 























