Started as a visual diary, ‘Ravedeath Convention’ soon grew into a hybrid of autobiography and fiction. While love, joy and friendship are explored, violence and excess come about too, often captured only as traces and symptoms. A collision of different, occasionally mismatched, cultural symbols stresses the all-embracing blend of subcultres as a fundamental feature of our times.

The first pictures taken at age thirteen, this series of black and white images is the edit of a continuous process of photographing, revisiting and reworking over a span of ten years. In the crippled prints the physical presence of body and photograph merge, celebrating human imperfection. The title references Tim Hecker’s album ‘Ravedeath,1972’.

Fluent - Laëticia Donval
Buiding a wall - A book by Roméo Julien
The Shelf - Journal 3
Before Science - Gilles Pourtier, Anne-Claire Broc'h
interférence - 3 - maycec
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
Mökki n°2
Avec ce qu'il resterait à dire - Anne Maurel
Email Diamant - Fabienne Radi
La beauté d'une musique qui ne compte pas - Kenneth Gaburo
Le corps travesti - Michel Journiac
Au chevet des milieux : L'émancipation par l'outil manuel - Yetecha Negga
Bambi # 4 - Collectif
Denver Mosaic 1961 - René Heyvaert
Le blanc nez - Fouss Daniel 























