Started as a visual diary, ‘Ravedeath Convention’ soon grew into a hybrid of autobiography and fiction. While love, joy and friendship are explored, violence and excess come about too, often captured only as traces and symptoms. A collision of different, occasionally mismatched, cultural symbols stresses the all-embracing blend of subcultres as a fundamental feature of our times.

The first pictures taken at age thirteen, this series of black and white images is the edit of a continuous process of photographing, revisiting and reworking over a span of ten years. In the crippled prints the physical presence of body and photograph merge, celebrating human imperfection. The title references Tim Hecker’s album ‘Ravedeath,1972’.

Philonimo - Le Chien de Diogène - Alice Brière-Haquet, Kazuko Matt
Holy etc. - Fabienne Radi
Philonimo - Le Canard de Wittgenstein - Alice Brière-Haquet, Loïc Gaume
Una Silla Plegada ( A Folded Chair) - José Quintanar
L'inventaire des destructions - Éric Watier
Dernier royaume - Quentin Derouet 























