Started as a visual diary, ‘Ravedeath Convention’ soon grew into a hybrid of autobiography and fiction. While love, joy and friendship are explored, violence and excess come about too, often captured only as traces and symptoms. A collision of different, occasionally mismatched, cultural symbols stresses the all-embracing blend of subcultres as a fundamental feature of our times.

The first pictures taken at age thirteen, this series of black and white images is the edit of a continuous process of photographing, revisiting and reworking over a span of ten years. In the crippled prints the physical presence of body and photograph merge, celebrating human imperfection. The title references Tim Hecker’s album ‘Ravedeath,1972’.

Le vieux père - Laurent Kropf
Blaclywall by Sihab Baik - Claude Closky
Les Grands Ensembles - Léo Guy-Denarcy
La peinture c'est comme les pépites - Pierre Yves-Hélou + Tirage
Salt Crystal - Fabio Parizzi
Sillo n°3 - Le Fauve
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
Pénurie - Zivo, Jérôme Meizoz
A l'origine - Anne-Émilie-Philippe
Shanghai Cosmetic - Leslie Moquin
Pectus Excavatum - Quentin Yvelin
La grande surface de réparation - Gilles Pourtier
interférence - 3 - maycec
Expériences pédagogiques Workshop La Plata 01. - Collectif - Zeug
Foto/Industria 2021: Food - Francesco Zanot, Tommaso Melilli
People in a faraday cage - Stéphanie Gygax
Le corps travesti - Michel Journiac 























