Started as a visual diary, ‘Ravedeath Convention’ soon grew into a hybrid of autobiography and fiction. While love, joy and friendship are explored, violence and excess come about too, often captured only as traces and symptoms. A collision of different, occasionally mismatched, cultural symbols stresses the all-embracing blend of subcultres as a fundamental feature of our times.

The first pictures taken at age thirteen, this series of black and white images is the edit of a continuous process of photographing, revisiting and reworking over a span of ten years. In the crippled prints the physical presence of body and photograph merge, celebrating human imperfection. The title references Tim Hecker’s album ‘Ravedeath,1972’.

WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
Après la révolution – Hors-série – JO Paris 2024. Carnets de luttes
Blaclywall by Sihab Baik - Claude Closky
People in a faraday cage - Stéphanie Gygax
Artzines # 10 - Show & Tell #2 NY Special
Après la révolution – numéro 1
Illusive prosody - Alex Beaurain
Le corps travesti - Michel Journiac
Keywording (Post) Contemporary Art - Greta Rusttt
Sans titre - Benjamin Hartmann
La Typographie Moderne - Robin Kinross
L'inventaire des destructions - Éric Watier
Florina Leinß - Ersatzteillager
UP8 — Pour une pédagogie de l'architecture
Strates & Archipels - Pierre Merle
Editer l’art – Leszek Brogowski
Ellipse - Ismail Alaoui-Fdili
Dernier royaume - Quentin Derouet
Pour une esthétique de l'émancipation - Isabelle Alfonsi
Dear Paul - Paul Van der Eerden
America - Ayline Olukman, Hélène Gaudy 























