Started as a visual diary, ‘Ravedeath Convention’ soon grew into a hybrid of autobiography and fiction. While love, joy and friendship are explored, violence and excess come about too, often captured only as traces and symptoms. A collision of different, occasionally mismatched, cultural symbols stresses the all-embracing blend of subcultres as a fundamental feature of our times.

The first pictures taken at age thirteen, this series of black and white images is the edit of a continuous process of photographing, revisiting and reworking over a span of ten years. In the crippled prints the physical presence of body and photograph merge, celebrating human imperfection. The title references Tim Hecker’s album ‘Ravedeath,1972’.

Musique pour les yeux - Johann Bertrand Dhy
Piotr - Pierre Escot, Denis Lavant
movement in squares - Stefanie Leinhos
La prise - Florian Javet
Le dos des choses - Guillaume Goutal
Optical Sound 3
Marcel Proust en cinq minutes — Jackson B. Smith
Ludmilla Cerveny - Work
Mosaïque d'asphalte - Jack Torrance
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Turbo Decompress - Coll.
Sillo n°3 - Le Fauve
Oblikvaj 4 - Last minute Shodo - Thomas Perrodin, Ensemble Batida
Collective Design : Alison & Peter Smithson
Dans la Lune - Fanette Mellier
Before Science - Gilles Pourtier, Anne-Claire Broc'h
Saint-Julien l'hospitalier Tome 4 - Claire Pedot
IBM – Graphic Design Guide from 1969 to 1987 























