Started as a visual diary, ‘Ravedeath Convention’ soon grew into a hybrid of autobiography and fiction. While love, joy and friendship are explored, violence and excess come about too, often captured only as traces and symptoms. A collision of different, occasionally mismatched, cultural symbols stresses the all-embracing blend of subcultres as a fundamental feature of our times.

The first pictures taken at age thirteen, this series of black and white images is the edit of a continuous process of photographing, revisiting and reworking over a span of ten years. In the crippled prints the physical presence of body and photograph merge, celebrating human imperfection. The title references Tim Hecker’s album ‘Ravedeath,1972’.

Saint Julien l'hospitalier Tome 1 - Claire Pedot
Les Grands Ensembles - Léo Guy-Denarcy
Aurore Colbert - Marie Mons
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez - FR
De l'objet (comme un parcours) - Collectif, Sandra Chamaret
Photographic Fields - Joël Van Audenhaege
Eros Negro # 1 - Demoniak
Du Fennec au Sahara - Guillaume Pinard
Mission Control - Emir Karyo & Jan Wojda
America - Ayline Olukman, Hélène Gaudy
SKKS - Gilles Pourtier
L'abécédaire d'un typographe - Gerrit Noordzij; Jost Hochuli
Strates & Archipels - Pierre Merle
Spécimen Typographique : No Ko - Loris Pernoux
Critique & création - L.L. de Mars
Der Erste Rotkehlchen - Le livre
Deep state - Mathieu Desjardins
La traversée - Magali Brueder
Berlin Design Digest
Feminist Art Activisms and Artivisms - Katy Deepwell (ed.)
Prose postérieure - Les commissaires anonymes
The Letter A looks like The Eiffel Tower - Paul Andali
Optical Sound 3
Pénurie - Zivo, Jérôme Meizoz
People in a faraday cage - Stéphanie Gygax
In The Navy - Julien Kedryna
Before Science - Gilles Pourtier, Anne-Claire Broc'h 























