Started as a visual diary, ‘Ravedeath Convention’ soon grew into a hybrid of autobiography and fiction. While love, joy and friendship are explored, violence and excess come about too, often captured only as traces and symptoms. A collision of different, occasionally mismatched, cultural symbols stresses the all-embracing blend of subcultres as a fundamental feature of our times.

The first pictures taken at age thirteen, this series of black and white images is the edit of a continuous process of photographing, revisiting and reworking over a span of ten years. In the crippled prints the physical presence of body and photograph merge, celebrating human imperfection. The title references Tim Hecker’s album ‘Ravedeath,1972’.

Prose postérieure - Les commissaires anonymes
Copy This Book - Eric Schrijver
Papier magazine n°06 - Coupe du monde
Holyhood, vol. 1 — Guadalupe, California - Alessandro Mercuri
Dans la matrice : le design radical de Ken Isaacs - Susan Snodgrass
Après la révolution – numéro 1
Berlin Design Digest
Cuadernos - Henry Deletra
Gruppen n°14 - Collectif
fig. #6 - antithèse
Alma Mater n°1
SKKS - Gilles Pourtier
La France de tête #04
Sights - Henry McCausland
Photographic Fields - Joël Van Audenhaege
[piʃaˈsɐ̃w̃] - antoine lefebvre editions,
Slanted 24 - Istanbul
The Book Fight - Chihoi
Machiavel chez les babouins - Tim Ingold
Before Science - Gilles Pourtier, Anne-Claire Broc'h 























