Started as a visual diary, ‘Ravedeath Convention’ soon grew into a hybrid of autobiography and fiction. While love, joy and friendship are explored, violence and excess come about too, often captured only as traces and symptoms. A collision of different, occasionally mismatched, cultural symbols stresses the all-embracing blend of subcultres as a fundamental feature of our times.

The first pictures taken at age thirteen, this series of black and white images is the edit of a continuous process of photographing, revisiting and reworking over a span of ten years. In the crippled prints the physical presence of body and photograph merge, celebrating human imperfection. The title references Tim Hecker’s album ‘Ravedeath,1972’.

Photographic Fields - Joël Van Audenhaege
Strates & Archipels - Pierre Merle
Pectus Excavatum - Quentin Yvelin
Comment quitter la terre ? - Jill Gasparina, Christophe Kihm, Anne-Lyse Renon
Roven n°4
Eros negro n°4 - Démoniak
La typographie des Penguin Classics - Andrew Barker
Le blanc nez - Fouss Daniel
Dernier royaume - Quentin Derouet
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi 























