Koji Kitagawa has been a member of the SPEW collective with Daisuke Yokota et Naohiro Utagawa, an experience he describes as « being in a car launched at full speed ». Since 15 years, Koji Kitagawa, on his own, has been producing series that he distributes in the form of simple, plain editions. This book is an anthology compiling his obsessive series one after the other.

Koji’s words: « In creating, I get a lot from the process itself. If the image is complete before I’ve fully worked on it, it doesn’t hold much meaning for me. I’m always advancing several projects little by little, I want to remove my intent from the work as much as possible; ambiguity is an essential component. I think photography is imagination. »
Nicolas Giraud said : « These plentiful, dense sequences bear witness to an perpetually renewed process, tirelessly recapturing what is in front of his eyes, trying to make his way through what is visible. Kitagawa does not grant us access to the world, he confronts us with its opacity, in hopes of seeing in every way possible, at the risk of dissolving the image… Bringing together this work in a single volume makes it possible to traverse this obsessive exploration of the visible, to grasp the movement driving Koji Kitagawa. The book reveals the scope of his ambition, the way in which he grows attached to poor objects yet brings them to incandescence. A face, a newspaper page, a plant, constitute object-worlds that the photographer explores to the fullest. »
ISBN 9782493509000

Titanic Orchestra - Julien Mauve
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Miniatures - Benjamin Monti, Annabelle Dupret
We want to look up at the Sun, but could the Sun be looking down on us? - Rudy Guedj & Olivier Goethals
Le corps travesti - Michel Journiac
Tupera Tupera Postcard Book
Pectus Excavatum - Quentin Yvelin
Dix éditeurs de livres d'artistes par eux-mêmes (1960-1980) (2 volumes) - Anne Mœglin-Delcroix
Une histoire russe - Claude Grétillat
SNAKKEBOB … Kan jeg få et ord med deg? Tim Ng Tvedt
Délié - Baptiste Oberson
Editer l’art – Leszek Brogowski
Amos Gitai et l'enjeu des archives - Jean-Michel Frodon
Le blanc nez - Fouss Daniel
Imagos - Noémie Lothe
François Morellet - 5 x 3 - François Morellet, Serge Lemoine, Frédéric Valabrègue
Sous mes semelles - Anaïs Lapel, Gaspard Kasimir
Klima Pages #2 — Somptueuses Résidences
Aurore Colbert - Marie Mons
Saint Julien l'hospitalier Tome 3 - Claire Pedot
Science of the secondary #11 - Banana
A l'origine - Anne-Émilie-Philippe
Mosaïque d'asphalte - Jack Torrance
Fièvre - Ronan Bouroullec
Comment quitter la terre ? - Jill Gasparina, Christophe Kihm, Anne-Lyse Renon
Économies silencieuses et audaces approximatives - Guy Chevalier [& coll.]
16 x 421 - Lorraine Druon
Sillo n°3 - Le Fauve
Deep state - Mathieu Desjardins
The Shelf - Journal 3
Grilles - Zelda Mauger
Keywording (Post) Contemporary Art - Greta Rusttt
Rasclose - Geoffroy Mathieu
Sans titre - Chris Kiss
Zoom Age - Julien Auregan
Assembly - Sam Porritt
It was a good day - Jeremy Le Corvaisier
Poèmes - Yvonne Rainer
Before Science - Gilles Pourtier, Anne-Claire Broc'h
Mökki n°4
Cuadernos - Henry Deletra
Collective Design : Alison & Peter Smithson
Revue Les Saisons n°3
akaBB - tribute to Roni horn
Flower finds - Orianne Jeanselme
Holy etc. - Fabienne Radi
Gros Gris n°4 - Duel
Mökki n°2
Un essai sur la typographie - Eric Gill
moj’am al arabeia - Farah Khelil & antoine lefebvre editions
Birds - Damien Poulain
Dédale - Laurent Chardon
Le museau de mes amies m’amuse - Jehane Mahmoud
52 vendredis — Léonore Emond, Damien Duparc, Yaïr Barelli et Charlotte York 





























