Koji Kitagawa has been a member of the SPEW collective with Daisuke Yokota et Naohiro Utagawa, an experience he describes as « being in a car launched at full speed ». Since 15 years, Koji Kitagawa, on his own, has been producing series that he distributes in the form of simple, plain editions. This book is an anthology compiling his obsessive series one after the other.

Koji’s words: « In creating, I get a lot from the process itself. If the image is complete before I’ve fully worked on it, it doesn’t hold much meaning for me. I’m always advancing several projects little by little, I want to remove my intent from the work as much as possible; ambiguity is an essential component. I think photography is imagination. »
Nicolas Giraud said : « These plentiful, dense sequences bear witness to an perpetually renewed process, tirelessly recapturing what is in front of his eyes, trying to make his way through what is visible. Kitagawa does not grant us access to the world, he confronts us with its opacity, in hopes of seeing in every way possible, at the risk of dissolving the image… Bringing together this work in a single volume makes it possible to traverse this obsessive exploration of the visible, to grasp the movement driving Koji Kitagawa. The book reveals the scope of his ambition, the way in which he grows attached to poor objects yet brings them to incandescence. A face, a newspaper page, a plant, constitute object-worlds that the photographer explores to the fullest. »
ISBN 9782493509000

Sights - Henry McCausland
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Gruppen n°14 - Collectif
Who Are You Dorothy Dean? - Edited by / Edité par Anaïs Ngbanzo.
Anderlecht — Molenbeek - Pierre Blondel
Mökki n°4
Seoul Flowers & Trees - tribute to Lee Friedlander
Ice & Cream - Florence Grivel, Julien Burri
MegaOctet Verbateam
La peinture c'est comme les pépites - Pierre Yves-Hélou + Tirage
Holy etc. - Fabienne Radi
Ilya Ehrenbourg - Et pourtant elle tourne
Heads Together – Weed and the Underground Press Syndicate - David Jacob Kramer
À partir de n°1 - Coll.
Pour voir, Emscher Park - Gaëtane Lamarche-Vadel
Voir la Palestine, Contre-champs artistiques - Stefanie Baumann
Aurore Colbert - Marie Mons
Saint Julien l'hospitalier Tome 1 - Claire Pedot
Manifeste d'intérieurs ; penser dans les médias élargis - Javier Fernández Contreras
Sillo n°3 - Le Fauve
Le corps travesti - Michel Journiac
Retour d'y voir - n° 3 & 4 - Mamco
Keywording (Post) Contemporary Art - Greta Rusttt
Dédale - Laurent Chardon
Piano - Joseph Charroy
Editer l’art – Leszek Brogowski
La construction - Perrine Le Querrec
Prose postérieure - Les commissaires anonymes
Imagos - Noémie Lothe
Distant Egghug - Peter McDonald
interférence - 2 - maycec
Morph - Camilo García A.
Musée des Beaux-Arts - Pierre Martel
Sans titre - Benjamin Hartmann
Awakening at the inn of the birds - Aymeric Vergnon
Après la révolution – numéro 1
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
Zoom Age - Julien Auregan
Amos Gitai et l'enjeu des archives - Jean-Michel Frodon
Gros Gris n°4 - Duel
Critique & création - L.L. de Mars
Photographic Fields - Joël Van Audenhaege
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Anémochorie - Antonin Detemple
Dans la matrice : le design radical de Ken Isaacs - Susan Snodgrass
Slikmiks - Mikkel Sommer / Mekl
Mourn Baby Mourn - Katerina Andreou
It was a good day - Jeremy Le Corvaisier
La Typographie Moderne - Robin Kinross
Fluent - Laëticia Donval
Strates & Archipels - Pierre Merle
Paysageur n°3 - Mobiles
Le Choix du peuple - Nicolas Savary, Tilo Steireif
10 MINUTES Architects and Designers in Conversation
Délié - Baptiste Oberson
Sans titre - Chris Kiss
Optical Sound 3
Titanic Orchestra - Julien Mauve 





























