People of the Mud is a powerful new series by Berlin-based US-Dominican artist Luis Alberto Rodriguez, made collaboratively amongst the communities of County Wexford in Ireland, where ancient tradition and modern life rub shoulders daily.

With a background in professional dance, Rodriguez’s work pays tribute to the metaphorical weight of centuries of physical labour behind cultivating the landscape and maintaining cultural heritage. Images of scarred limbs and hands, weathered faces and choreographed bodies appear as a cartography of this labour, reflecting how culture both shapes and is shaped by individuals. Elsewhere, we see the exaggerated glamour of modern female Irish dancers taken out of the glitzy ballrooms and into the fields, creating a rupture across time and space.
While in Wexford, Rodriguez was struck by the intense physicality of the sport of hurling. Considered to be the fastest sport on grass, while watching slow-motion footage of hurling Rodriguez saw that within seconds the players would go through pushing, shoving, grabbing, hugging, knocking each other down and then lifting one another up. Rodriguez worked with players to reform these gestures: creating sculptures out of bodies, directing and literally layering players upon one another.
At the outset of his project, Rodriguez wanted to create a large family photograph, an idea that was quickly surpassed by other strands of enquiry. However, with a step backwards we can see People of the Mud as just that – a collective community portrait of all the different elements that construct modern, rural Irish identities. Just like any family portrait, it is at times dysfunctional and contradictory; it gathers all the ruptures and continuities between the past and present in modern Ireland, while being held in a landscape and moment in time. This moment is both still – posed and paused – and in perpetual motion, looking towards the future.

Eros Negro # 1 - Demoniak
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
akaBB - tribute to Roni horn
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
Heads Together – Weed and the Underground Press Syndicate - David Jacob Kramer
L'arum tacheté de J-M. Bertoyas
Holyhood, vol. 1 — Guadalupe, California - Alessandro Mercuri
Critique d'art n°55
Gros Gris n°4 - Duel
In The Navy - Julien Kedryna
Jean-Jacques a dit - Angèle Douche
Le voyeur - entretiens - Éric Rondepierre - Julien Milly
Inframince et hyperlié - Philippe Lipcare
Editer l’art – Leszek Brogowski
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Tchat - Gary Colin
Super Kiblind 3
Before Science - Gilles Pourtier, Anne-Claire Broc'h
(page 1 et 17) - Lorraine Druon
Le déclin du professeur de tennis - Fabienne Radi
Piotr - Pierre Escot, Denis Lavant
La grande surface de réparation - Gilles Pourtier
Critique & création - L.L. de Mars
Konrad Becker - Dictionnaire de réalité stratégique
Le lacéré anonyme - Jacques Villeglé
Soleil, eau, vent : vers l'autonomie énergétique - Delphine Bauer
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez - FR
Après la révolution – numéro 1
Darkest Night - Joel Van Audenhaege 











































