People of the Mud is a powerful new series by Berlin-based US-Dominican artist Luis Alberto Rodriguez, made collaboratively amongst the communities of County Wexford in Ireland, where ancient tradition and modern life rub shoulders daily.

With a background in professional dance, Rodriguez’s work pays tribute to the metaphorical weight of centuries of physical labour behind cultivating the landscape and maintaining cultural heritage. Images of scarred limbs and hands, weathered faces and choreographed bodies appear as a cartography of this labour, reflecting how culture both shapes and is shaped by individuals. Elsewhere, we see the exaggerated glamour of modern female Irish dancers taken out of the glitzy ballrooms and into the fields, creating a rupture across time and space.
While in Wexford, Rodriguez was struck by the intense physicality of the sport of hurling. Considered to be the fastest sport on grass, while watching slow-motion footage of hurling Rodriguez saw that within seconds the players would go through pushing, shoving, grabbing, hugging, knocking each other down and then lifting one another up. Rodriguez worked with players to reform these gestures: creating sculptures out of bodies, directing and literally layering players upon one another.
At the outset of his project, Rodriguez wanted to create a large family photograph, an idea that was quickly surpassed by other strands of enquiry. However, with a step backwards we can see People of the Mud as just that – a collective community portrait of all the different elements that construct modern, rural Irish identities. Just like any family portrait, it is at times dysfunctional and contradictory; it gathers all the ruptures and continuities between the past and present in modern Ireland, while being held in a landscape and moment in time. This moment is both still – posed and paused – and in perpetual motion, looking towards the future.

Manuel pour formes et constructions nomades - Julien Rodriguez
Quels problèmes les artistes éditeurices peuvent-iels résoudre ? - Collectif
Dear Paul - Paul Van der Eerden
Klima Pages #2 — Somptueuses Résidences
Sur la page, abandonnés — vol.3
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
Eros negro n°3 - Démoniak
Sillo n°3 - Le Fauve
Gruppen n°14 - Collectif
Débris N°2 - Théo Garnier Greuez
Les voiles de Sainte-Marthe - Christian Rosset
Comment réparer : La maternité et ses fantômes - Iman Mersal
MENU メニュー - Wataru Tominaga
Grilles - Zelda Mauger
Burning Images, A History of Effigy Protests - Florian Göttke
La chasse Galerine - Jéréméy Piningre & Aëla Maï Cabel
Tchat - Gary Colin
16 x 421 - Lorraine Druon
Les Grands Ensembles - Léo Guy-Denarcy
Pectus Excavatum - Quentin Yvelin
America - Ayline Olukman, Hélène Gaudy
La traversée - Magali Brueder
Tomber dans l'escalier - Jasper Sebastian Stürup
An artist - Malena Pizani
ARTZINES #7 - Berlin issue
LSD n° 04 – A manga issue
Goodbye - Hsia-Fei Chang, Sofia Eliza Bouratsis, Medhi Brit, Enrico Lunghi
Farandole - Jérémie Fischer
Aurore Colbert - Marie Mons
Illusive prosody - Alex Beaurain
Économies silencieuses et audaces approximatives - Guy Chevalier [& coll.]
Rupture (fragments) - Benjamin Monti, Jean-Charles Andrieu de Levis
Piano - Joseph Charroy 











































