People of the Mud is a powerful new series by Berlin-based US-Dominican artist Luis Alberto Rodriguez, made collaboratively amongst the communities of County Wexford in Ireland, where ancient tradition and modern life rub shoulders daily.

With a background in professional dance, Rodriguez’s work pays tribute to the metaphorical weight of centuries of physical labour behind cultivating the landscape and maintaining cultural heritage. Images of scarred limbs and hands, weathered faces and choreographed bodies appear as a cartography of this labour, reflecting how culture both shapes and is shaped by individuals. Elsewhere, we see the exaggerated glamour of modern female Irish dancers taken out of the glitzy ballrooms and into the fields, creating a rupture across time and space.
While in Wexford, Rodriguez was struck by the intense physicality of the sport of hurling. Considered to be the fastest sport on grass, while watching slow-motion footage of hurling Rodriguez saw that within seconds the players would go through pushing, shoving, grabbing, hugging, knocking each other down and then lifting one another up. Rodriguez worked with players to reform these gestures: creating sculptures out of bodies, directing and literally layering players upon one another.
At the outset of his project, Rodriguez wanted to create a large family photograph, an idea that was quickly surpassed by other strands of enquiry. However, with a step backwards we can see People of the Mud as just that – a collective community portrait of all the different elements that construct modern, rural Irish identities. Just like any family portrait, it is at times dysfunctional and contradictory; it gathers all the ruptures and continuities between the past and present in modern Ireland, while being held in a landscape and moment in time. This moment is both still – posed and paused – and in perpetual motion, looking towards the future.

Titanic Orchestra - Julien Mauve
Marcel Proust en cinq minutes — Jackson B. Smith
Illusive prosody - Alex Beaurain
Étrangement seuls - Jean-Pascal Princiaux
Seoul Flowers & Trees - tribute to Lee Friedlander
Modern Instances, The Craft of Photography - Stephen Shore
Turbo Decompress - Coll.
Lili, la rozell et le marimba / revue n°2
Inchiostri + Inchiostri Supplement - Ronan Bouroullec
Donne des racines au loup-garou & fais courir l'arbre la nuit - Pauline Barzilaï
In The Navy - Julien Kedryna
Le Choix du peuple - Nicolas Savary, Tilo Steireif
(page 1 et 17) - Lorraine Druon
Lavalse des tambours - Paul Rey
Konrad Becker - Dictionnaire de réalité stratégique
Artzines # 10 - Show & Tell #2 NY Special
Atopoz - Collectif
Papier magazine n°06 - Coupe du monde
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
Sex I - Kingué Camille
Teddy et le Grand Terrible - Orian Mariat.
Laura Mulvay - Fetichisme et curiosité
Anthologie Douteuses (2010—2020) - Élodie Petit & Marguerin Le Louvier
OKATAOKA MEETS FOLK ART SERIES “HELLO MEXICO”
Paysageur n°3 - Mobiles
Ventoline 5 - Coll.
Femme, Arabe et... Cinéaste - Heiny Srour
Before Science - Gilles Pourtier, Anne-Claire Broc'h
Introduction à l'esthétique - Nakai Masakazu
Grilles - Zelda Mauger
Salt Crystal - Fabio Parizzi
Pénurie - Zivo, Jérôme Meizoz
Mosaïque d'asphalte - Jack Torrance
Dessins pour Rugir - Virginie Rochetti
Optical Sound 2
The Book Fight - Chihoi
A Compilation Of Contemporary Letter Designs
Avec ce qu'il resterait à dire - Anne Maurel
Le vieux père - Laurent Kropf
Bande Annonce - Cinéma & Bande Dessinée - Coll.
La traversée - Magali Brueder
À partir de n°4 - Collectif
Temps d'arrêt - Etienne Buyse
ICCMHW - Atelier Choque Le Goff
Imagos - Noémie Lothe
Holyhood, vol. 1 — Guadalupe, California - Alessandro Mercuri
Eurob0ys Crysis - Massimiliano Bomba, Leon Sadler, Yannick Val Gesto
Cuadernos - Henry Deletra
Le singe et le bijoux - Roxane Lumeret
akaBB - tribute to Roni horn 











































