People of the Mud is a powerful new series by Berlin-based US-Dominican artist Luis Alberto Rodriguez, made collaboratively amongst the communities of County Wexford in Ireland, where ancient tradition and modern life rub shoulders daily.

With a background in professional dance, Rodriguez’s work pays tribute to the metaphorical weight of centuries of physical labour behind cultivating the landscape and maintaining cultural heritage. Images of scarred limbs and hands, weathered faces and choreographed bodies appear as a cartography of this labour, reflecting how culture both shapes and is shaped by individuals. Elsewhere, we see the exaggerated glamour of modern female Irish dancers taken out of the glitzy ballrooms and into the fields, creating a rupture across time and space.
While in Wexford, Rodriguez was struck by the intense physicality of the sport of hurling. Considered to be the fastest sport on grass, while watching slow-motion footage of hurling Rodriguez saw that within seconds the players would go through pushing, shoving, grabbing, hugging, knocking each other down and then lifting one another up. Rodriguez worked with players to reform these gestures: creating sculptures out of bodies, directing and literally layering players upon one another.
At the outset of his project, Rodriguez wanted to create a large family photograph, an idea that was quickly surpassed by other strands of enquiry. However, with a step backwards we can see People of the Mud as just that – a collective community portrait of all the different elements that construct modern, rural Irish identities. Just like any family portrait, it is at times dysfunctional and contradictory; it gathers all the ruptures and continuities between the past and present in modern Ireland, while being held in a landscape and moment in time. This moment is both still – posed and paused – and in perpetual motion, looking towards the future.

Après la révolution – numéro 1
Habitante 2 - Coll.
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
Économies silencieuses et audaces approximatives - Guy Chevalier [& coll.]
The Book Fight - Chihoi
Oblikvaj 5 - Vingt-deux plongées profondes - Aude Barrio, Ensemble Batida
Bambi # 4 - Collectif
Feminist Art Activisms and Artivisms - Katy Deepwell (ed.)
Débris N°2 - Théo Garnier Greuez
Regards croisés — Gekreutze Blicke - Yeloyolo
Le Parfum du Silence - Bonnie Colin
Teddy et le Grand Terrible - Orian Mariat.
Le chateau enchanté - Atelier Mclane
Underground graphic design archive Paris
Photographic Fields - Joël Van Audenhaege
Le corps travesti - Michel Journiac
Ar(t)chitectures situées - Étienne Delprat
interférence - 2 - maycec
Dans la Lune - Fanette Mellier
Rasclose - Geoffroy Mathieu
Fluent - Laëticia Donval
Pectus Excavatum - Quentin Yvelin
La beauté d'une musique qui ne compte pas - Kenneth Gaburo
Aurore Colbert - Marie Mons
ARTZINES #1, Paris issue
Il était deux fois - Gary Colin
Dear Paul - Paul Van der Eerden
Oblikvaj 2 - L'amour à la maison - Yannis La Macchia, Ensemble Battida
Échec et scotome - Jean Otth
Bande Annonce - Cinéma & Bande Dessinée - Coll.
Revue Les Saisons n°3
La peinture c'est comme les pépites - Pierre Yves-Hélou + Tirage
Slanted 24 - Istanbul
Gros Gris n°4 - Duel
akaBB - tribute to Roni horn 











































