People of the Mud is a powerful new series by Berlin-based US-Dominican artist Luis Alberto Rodriguez, made collaboratively amongst the communities of County Wexford in Ireland, where ancient tradition and modern life rub shoulders daily.

With a background in professional dance, Rodriguez’s work pays tribute to the metaphorical weight of centuries of physical labour behind cultivating the landscape and maintaining cultural heritage. Images of scarred limbs and hands, weathered faces and choreographed bodies appear as a cartography of this labour, reflecting how culture both shapes and is shaped by individuals. Elsewhere, we see the exaggerated glamour of modern female Irish dancers taken out of the glitzy ballrooms and into the fields, creating a rupture across time and space.
While in Wexford, Rodriguez was struck by the intense physicality of the sport of hurling. Considered to be the fastest sport on grass, while watching slow-motion footage of hurling Rodriguez saw that within seconds the players would go through pushing, shoving, grabbing, hugging, knocking each other down and then lifting one another up. Rodriguez worked with players to reform these gestures: creating sculptures out of bodies, directing and literally layering players upon one another.
At the outset of his project, Rodriguez wanted to create a large family photograph, an idea that was quickly surpassed by other strands of enquiry. However, with a step backwards we can see People of the Mud as just that – a collective community portrait of all the different elements that construct modern, rural Irish identities. Just like any family portrait, it is at times dysfunctional and contradictory; it gathers all the ruptures and continuities between the past and present in modern Ireland, while being held in a landscape and moment in time. This moment is both still – posed and paused – and in perpetual motion, looking towards the future.

WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
Les soleils qui tournent ont des oreilles - coll.
Temps d'arrêt - Etienne Buyse
Party Studies – Vol. 1 – Home gatherings, flat events, festive pedagogy and refiguring the hangover
Retour d'y voir - n° 3 & 4 - Mamco
Vacuité 9090 - Jérémy Piningre
Zoom Age - Julien Auregan
Wayfaring - Patrick Messina, André S. Labarthe
Le Choix du peuple - Nicolas Savary, Tilo Steireif
Grilles - Zelda Mauger
Saveurs imprévues et secrètes - Gilbert Lascault
Deep state - Mathieu Desjardins
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
Les Grands Ensembles - Léo Guy-Denarcy
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Hmm ! - C. de Trogoff
Good Company - Paul Van der Eerden
Piano - Joseph Charroy
De tels baisers - Jul Gordon
Dessins pour Rugir - Virginie Rochetti
Critique & création - L.L. de Mars
Aristide n°4
Schindler Manifesto
Pø om Pø - Kaja Meyer
Eros negro n°4 - Démoniak
Heads Together – Weed and the Underground Press Syndicate - David Jacob Kramer
Before Science - Gilles Pourtier, Anne-Claire Broc'h
Titanic Orchestra - Julien Mauve
Modern Instances, The Craft of Photography - Stephen Shore
A l'origine - Anne-Émilie-Philippe
Artzines # 10 - Show & Tell #2 NY Special
Un peu comme voir dans la nuit - Leif Elggren + CD
Slanted 30 - Athens
Gros Gris n°4 - Duel
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Strates & Archipels - Pierre Merle
Sans titre - Chris Kiss
Les voiles de Sainte-Marthe - Christian Rosset
SKKS - Gilles Pourtier
Piotr - Pierre Escot, Denis Lavant
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
Tote Bag - Lucas Burtin x Librairie Lame
Halogénure #04
Pectus Excavatum - Quentin Yvelin
Der Erste Rotkehlchen - Le livre
Mourn Baby Mourn - Katerina Andreou 











































