People of the Mud is a powerful new series by Berlin-based US-Dominican artist Luis Alberto Rodriguez, made collaboratively amongst the communities of County Wexford in Ireland, where ancient tradition and modern life rub shoulders daily.

With a background in professional dance, Rodriguez’s work pays tribute to the metaphorical weight of centuries of physical labour behind cultivating the landscape and maintaining cultural heritage. Images of scarred limbs and hands, weathered faces and choreographed bodies appear as a cartography of this labour, reflecting how culture both shapes and is shaped by individuals. Elsewhere, we see the exaggerated glamour of modern female Irish dancers taken out of the glitzy ballrooms and into the fields, creating a rupture across time and space.
While in Wexford, Rodriguez was struck by the intense physicality of the sport of hurling. Considered to be the fastest sport on grass, while watching slow-motion footage of hurling Rodriguez saw that within seconds the players would go through pushing, shoving, grabbing, hugging, knocking each other down and then lifting one another up. Rodriguez worked with players to reform these gestures: creating sculptures out of bodies, directing and literally layering players upon one another.
At the outset of his project, Rodriguez wanted to create a large family photograph, an idea that was quickly surpassed by other strands of enquiry. However, with a step backwards we can see People of the Mud as just that – a collective community portrait of all the different elements that construct modern, rural Irish identities. Just like any family portrait, it is at times dysfunctional and contradictory; it gathers all the ruptures and continuities between the past and present in modern Ireland, while being held in a landscape and moment in time. This moment is both still – posed and paused – and in perpetual motion, looking towards the future.

Tchat - Gary Colin
interférence - 3 - maycec
Radio-Art - Tetsuo Kogawa
Le style anthropocène - Philippe Rahm
Temps d'arrêt - Etienne Buyse
fil·le·s de polypropylène bleu - coll.
La peinture c'est comme les pépites - Pierre Yves-Hélou + Tirage
La France de tête - Lot de 4 numéros
Inframince et hyperlié - Philippe Lipcare
Aurore Colbert - Marie Mons
Rasclose - Geoffroy Mathieu
Un cahier - Michel Quarez
Tools n° 05 – Tourner
Retour d'y voir - n° 3 & 4 - Mamco
Sillo n°3 - Le Fauve
Flynn zine # 1 - Flynn Maria Bergmann
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Citrus maxima xparadisi - coll.
Before Science - Gilles Pourtier, Anne-Claire Broc'h
How Many - Nathalie Du Pasquier
La tour Tatline - Georgi Stanishev
Holyhood, vol. 1 — Guadalupe, California - Alessandro Mercuri
Lavalse des tambours - Paul Rey
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
Ellipse - Ismail Alaoui-Fdili
Dear Paul - Paul Van der Eerden
A Home with no Roof - Sara De Brito Faustino
Mosaïque d'asphalte - Jack Torrance
Anthologie Douteuses (2010—2020) - Élodie Petit & Marguerin Le Louvier
Konrad Becker - Dictionnaire de réalité stratégique
Saint Julien l'hospitalier Tome 3 - Claire Pedot
Zoom Age - Julien Auregan
Photographic Fields - Joël Van Audenhaege
LSD n° 03 – A DIY Issue
Revue La Ronde n°14
moj’am al arabeia - Farah Khelil & antoine lefebvre editions
Titanic Orchestra - Julien Mauve
Image Canoë - Jérémie Gindre
Véhicule N°7 - Collectif
本の本の本 - antoine lefebvre editions,
Lazy Painter - Angela Gjergjaj, Jordi Bucher and Mirco Petrini
Le Monde en situation - Vanessa Theodoropoulou
Cruiser l'utopie – L'après et ailleurs de l'advenir queer - José Esteban Muñoz
Illusive prosody - Alex Beaurain 











































