People of the Mud is a powerful new series by Berlin-based US-Dominican artist Luis Alberto Rodriguez, made collaboratively amongst the communities of County Wexford in Ireland, where ancient tradition and modern life rub shoulders daily.

With a background in professional dance, Rodriguez’s work pays tribute to the metaphorical weight of centuries of physical labour behind cultivating the landscape and maintaining cultural heritage. Images of scarred limbs and hands, weathered faces and choreographed bodies appear as a cartography of this labour, reflecting how culture both shapes and is shaped by individuals. Elsewhere, we see the exaggerated glamour of modern female Irish dancers taken out of the glitzy ballrooms and into the fields, creating a rupture across time and space.
While in Wexford, Rodriguez was struck by the intense physicality of the sport of hurling. Considered to be the fastest sport on grass, while watching slow-motion footage of hurling Rodriguez saw that within seconds the players would go through pushing, shoving, grabbing, hugging, knocking each other down and then lifting one another up. Rodriguez worked with players to reform these gestures: creating sculptures out of bodies, directing and literally layering players upon one another.
At the outset of his project, Rodriguez wanted to create a large family photograph, an idea that was quickly surpassed by other strands of enquiry. However, with a step backwards we can see People of the Mud as just that – a collective community portrait of all the different elements that construct modern, rural Irish identities. Just like any family portrait, it is at times dysfunctional and contradictory; it gathers all the ruptures and continuities between the past and present in modern Ireland, while being held in a landscape and moment in time. This moment is both still – posed and paused – and in perpetual motion, looking towards the future.

Mökki n°2
Ar(t)chitectures situées - Étienne Delprat
Sans titre - Benjamin Hartmann
Dernier royaume - Quentin Derouet
Le lacéré anonyme - Jacques Villeglé
Good Company - Paul Van der Eerden
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
Temps d'arrêt - Etienne Buyse
Piano - Joseph Charroy
Denver Mosaic 1961 - René Heyvaert
Underground graphic design archive Paris
Les Grands Ensembles - Léo Guy-Denarcy
Choquer le monde à mort – Elles sont de sortie – Pascal Doury, Bruno Richard, Jonas Delaborde
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
ARTZINES #3 - Tokyo issue
Sans titre - Chris Kiss
Ludmilla Cerveny - Work
Feminist Art Activisms and Artivisms - Katy Deepwell (ed.)
Revue La Ronde n°14
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Cuadernos - Henry Deletra
Aube - Caroline Bachmann
L'œuvre des matières - Ivry Serres
Imagos - Noémie Lothe
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Orthèses - Guillaume Bonnel
Zoom Age - Julien Auregan
Fluent - Laëticia Donval
Folding Space Ship - ottoGraphic
Mökki n°4
Harry Thaler's Pressed Chair
Comment quitter la terre ? - Jill Gasparina, Christophe Kihm, Anne-Lyse Renon
akaBB - tribute to Roni horn
Soleil, eau, vent : vers l'autonomie énergétique - Delphine Bauer
Au bord d'une route vers Camp Meeker - Evan Renaudie
Saveurs imprévues et secrètes - Gilbert Lascault
Victor Papanek - Design pour un monde réel
Radio-Art - Tetsuo Kogawa
Collective Design : Alison & Peter Smithson
Jean-Jacques a dit - Angèle Douche 











































