People of the Mud is a powerful new series by Berlin-based US-Dominican artist Luis Alberto Rodriguez, made collaboratively amongst the communities of County Wexford in Ireland, where ancient tradition and modern life rub shoulders daily.

With a background in professional dance, Rodriguez’s work pays tribute to the metaphorical weight of centuries of physical labour behind cultivating the landscape and maintaining cultural heritage. Images of scarred limbs and hands, weathered faces and choreographed bodies appear as a cartography of this labour, reflecting how culture both shapes and is shaped by individuals. Elsewhere, we see the exaggerated glamour of modern female Irish dancers taken out of the glitzy ballrooms and into the fields, creating a rupture across time and space.
While in Wexford, Rodriguez was struck by the intense physicality of the sport of hurling. Considered to be the fastest sport on grass, while watching slow-motion footage of hurling Rodriguez saw that within seconds the players would go through pushing, shoving, grabbing, hugging, knocking each other down and then lifting one another up. Rodriguez worked with players to reform these gestures: creating sculptures out of bodies, directing and literally layering players upon one another.
At the outset of his project, Rodriguez wanted to create a large family photograph, an idea that was quickly surpassed by other strands of enquiry. However, with a step backwards we can see People of the Mud as just that – a collective community portrait of all the different elements that construct modern, rural Irish identities. Just like any family portrait, it is at times dysfunctional and contradictory; it gathers all the ruptures and continuities between the past and present in modern Ireland, while being held in a landscape and moment in time. This moment is both still – posed and paused – and in perpetual motion, looking towards the future.

Seoul Flowers & Trees - tribute to Lee Friedlander
Après la révolution – Hors-série – JO Paris 2024. Carnets de luttes
Rasclose - Geoffroy Mathieu
movement in squares - Stefanie Leinhos
Eros negro n°3 - Démoniak
Wayfaring - Patrick Messina, André S. Labarthe
Keywording (Post) Contemporary Art - Greta Rusttt
Quels problèmes les artistes éditeurices peuvent-iels résoudre ? - Collectif
Temps d'arrêt - Etienne Buyse
The Shelf - Journal 3
Eros Negro # 1 - Demoniak
Prose postérieure - Les commissaires anonymes
Cyclone - Juliette Chalaye
Imagos - Noémie Lothe
Gros Gris n°4 - Duel
Shanghai Cosmetic - Leslie Moquin
Comment réparer : La maternité et ses fantômes - Iman Mersal
Le blanc nez - Fouss Daniel
Fluent - Laëticia Donval
Aurore Colbert - Marie Mons
A l'origine - Anne-Émilie-Philippe
Critique d'art n°54
Un peu comme voir dans la nuit - Leif Elggren + CD
Manifeste d'intérieurs ; penser dans les médias élargis - Javier Fernández Contreras
Je ne peux pas ne pas - Geneviève Romang
Strates & Archipels - Pierre Merle
La traversée - Magali Brueder
The Book Fight - Chihoi
Femme, Arabe et... Cinéaste - Heiny Srour
interférence - 2 - maycec
SKKS - Gilles Pourtier
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
fil·le·s de polypropylène bleu - coll.
Rupture (fragments) - Benjamin Monti, Jean-Charles Andrieu de Levis
Objets Minces - Collectif
La peinture c'est comme les pépites - Pierre Yves-Hélou + Tirage
Critique & création - L.L. de Mars
Before Science - Gilles Pourtier, Anne-Claire Broc'h 











































