People of the Mud is a powerful new series by Berlin-based US-Dominican artist Luis Alberto Rodriguez, made collaboratively amongst the communities of County Wexford in Ireland, where ancient tradition and modern life rub shoulders daily.

With a background in professional dance, Rodriguez’s work pays tribute to the metaphorical weight of centuries of physical labour behind cultivating the landscape and maintaining cultural heritage. Images of scarred limbs and hands, weathered faces and choreographed bodies appear as a cartography of this labour, reflecting how culture both shapes and is shaped by individuals. Elsewhere, we see the exaggerated glamour of modern female Irish dancers taken out of the glitzy ballrooms and into the fields, creating a rupture across time and space.
While in Wexford, Rodriguez was struck by the intense physicality of the sport of hurling. Considered to be the fastest sport on grass, while watching slow-motion footage of hurling Rodriguez saw that within seconds the players would go through pushing, shoving, grabbing, hugging, knocking each other down and then lifting one another up. Rodriguez worked with players to reform these gestures: creating sculptures out of bodies, directing and literally layering players upon one another.
At the outset of his project, Rodriguez wanted to create a large family photograph, an idea that was quickly surpassed by other strands of enquiry. However, with a step backwards we can see People of the Mud as just that – a collective community portrait of all the different elements that construct modern, rural Irish identities. Just like any family portrait, it is at times dysfunctional and contradictory; it gathers all the ruptures and continuities between the past and present in modern Ireland, while being held in a landscape and moment in time. This moment is both still – posed and paused – and in perpetual motion, looking towards the future.

Les soleils qui tournent ont des oreilles - coll.
Wayfaring - Patrick Messina, André S. Labarthe
Poster Tribune # 11
Talweg 6 - La distance
Temps d'arrêt - Etienne Buyse
Darkest Night - Joel Van Audenhaege
Good Company - Paul Van der Eerden
Après la révolution – Numéro 2
Seoul Flowers & Trees - tribute to Lee Friedlander
Dada à Zurich – Le mot et l’image (1915-1916)Hugo Ball
Saint Julien l'hospitalier Tome 3 - Claire Pedot
Mökki n°2
Roven n°4
Imagos - Noémie Lothe
ARTZINES #1, Paris issue
Lazy Painter - Angela Gjergjaj, Jordi Bucher and Mirco Petrini
De l'objet (comme un parcours) - Collectif, Sandra Chamaret
Comic Book (Untitled) - Stéphanie Leinhos
Hiver sur les continents cernés - F.J. OSSANG
A l'origine - Anne-Émilie-Philippe
Teddy et le Grand Terrible - Orian Mariat.
akaBB - tribute to Roni horn
Pénurie - Zivo, Jérôme Meizoz
Télégraphes de l'Utopie – L'art des avant-gardes en Europe Centrale 1918-1939 - Sonia de Puineuf
Fluent - Laëticia Donval
Tomber dans l'escalier - Jasper Sebastian Stürup
Gros Gris n°4 - Duel
Le lacéré anonyme - Jacques Villeglé
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
In The Navy - Julien Kedryna
ARTZINES #7 - Berlin issue
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
La grande surface de réparation - Gilles Pourtier
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
Deep state - Mathieu Desjardins
Le corps travesti - Michel Journiac
Critique d'art n°55
Farandole - Jérémie Fischer
Critique & création - L.L. de Mars
Zoom Age - Julien Auregan
Saint Julien l'hospitalier Tome 2 - Claire Pedot
Bambi # 4 - Collectif
Dernier royaume - Quentin Derouet
Titanic Orchestra - Julien Mauve
12345678 - Maya Strobbe
Sillo n°3 - Le Fauve
Photographic Fields - Joël Van Audenhaege
Regards croisés — Gekreutze Blicke - Yeloyolo
Le dos des choses - Guillaume Goutal
Eurob0ys Crysis - Massimiliano Bomba, Leon Sadler, Yannick Val Gesto
Sans titre - Chris Kiss
Turbo Decompress - Coll.
Artzines # 10 - Show & Tell #2 NY Special
Un cahier - Michel Quarez
Dédale - Laurent Chardon
(page 1 et 17) - Lorraine Druon
Citrus maxima xparadisi - coll.
Ventoline 5 - Coll.
Lisa Zordan . one-shot the end
Il était deux fois - Gary Colin
fig. #6 - antithèse
Watch out - Anne-Émilie-Philippe
Habitante 2 - Coll. 











































