People of the Mud is a powerful new series by Berlin-based US-Dominican artist Luis Alberto Rodriguez, made collaboratively amongst the communities of County Wexford in Ireland, where ancient tradition and modern life rub shoulders daily.

With a background in professional dance, Rodriguez’s work pays tribute to the metaphorical weight of centuries of physical labour behind cultivating the landscape and maintaining cultural heritage. Images of scarred limbs and hands, weathered faces and choreographed bodies appear as a cartography of this labour, reflecting how culture both shapes and is shaped by individuals. Elsewhere, we see the exaggerated glamour of modern female Irish dancers taken out of the glitzy ballrooms and into the fields, creating a rupture across time and space.
While in Wexford, Rodriguez was struck by the intense physicality of the sport of hurling. Considered to be the fastest sport on grass, while watching slow-motion footage of hurling Rodriguez saw that within seconds the players would go through pushing, shoving, grabbing, hugging, knocking each other down and then lifting one another up. Rodriguez worked with players to reform these gestures: creating sculptures out of bodies, directing and literally layering players upon one another.
At the outset of his project, Rodriguez wanted to create a large family photograph, an idea that was quickly surpassed by other strands of enquiry. However, with a step backwards we can see People of the Mud as just that – a collective community portrait of all the different elements that construct modern, rural Irish identities. Just like any family portrait, it is at times dysfunctional and contradictory; it gathers all the ruptures and continuities between the past and present in modern Ireland, while being held in a landscape and moment in time. This moment is both still – posed and paused – and in perpetual motion, looking towards the future.

In The Navy - Julien Kedryna
movement in squares - Stefanie Leinhos
La traversée - Magali Brueder
Humoral Fortuities - Francesco Albano’s
Holy Mountain - Maia Matches, Knuckles & Notch
Critique & création - L.L. de Mars
Harry Thaler's Pressed Chair
How Many - Nathalie Du Pasquier
Musée des Beaux-Arts - Pierre Martel
Éclats III - Athanor
Le chateau enchanté - Atelier Mclane
Le déclin du professeur de tennis - Fabienne Radi
Blaclywall by Sihab Baik - Claude Closky
L'inventaire des destructions - Éric Watier
Feminist Art Activisms and Artivisms - Katy Deepwell (ed.)
Goodbye - Hsia-Fei Chang, Sofia Eliza Bouratsis, Medhi Brit, Enrico Lunghi
La France de tête #04
Konrad Becker - Dictionnaire de réalité stratégique
Eldorado maximum - Les commissaires anonymes
Notre condition. Essai sur le salaire au travail artistique – Aurélien Catin
Crise de foie - Christine Demias
Temps d'arrêt - Etienne Buyse
Donne des racines au loup-garou & fais courir l'arbre la nuit - Pauline Barzilaï
Mökki n°4
Fluent - Laëticia Donval
Piano - Joseph Charroy
Dernier royaume - Quentin Derouet
America - Ayline Olukman, Hélène Gaudy
Catalogue Art Guys - That's painting productions, Bernard Brunon
Lili, la rozell et le marimba / revue n°2
Do insects play ? - Johanna Tagada Hoffbeck
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Aurore Colbert - Marie Mons
L’Écureuil de James - Alice Brière-Haquet, Liuna Virardi
Flower finds - Orianne Jeanselme
Sillo n°3 - Le Fauve
Revue Les Saisons n°3
Tomber dans l'escalier - Jasper Sebastian Stürup
La mémoire en acte - Quarente ans de création musicale
The Shelf - Journal 3
Wayfaring - Patrick Messina, André S. Labarthe
Imagos - Noémie Lothe
Dédale - Laurent Chardon 











































