People of the Mud is a powerful new series by Berlin-based US-Dominican artist Luis Alberto Rodriguez, made collaboratively amongst the communities of County Wexford in Ireland, where ancient tradition and modern life rub shoulders daily.

With a background in professional dance, Rodriguez’s work pays tribute to the metaphorical weight of centuries of physical labour behind cultivating the landscape and maintaining cultural heritage. Images of scarred limbs and hands, weathered faces and choreographed bodies appear as a cartography of this labour, reflecting how culture both shapes and is shaped by individuals. Elsewhere, we see the exaggerated glamour of modern female Irish dancers taken out of the glitzy ballrooms and into the fields, creating a rupture across time and space.
While in Wexford, Rodriguez was struck by the intense physicality of the sport of hurling. Considered to be the fastest sport on grass, while watching slow-motion footage of hurling Rodriguez saw that within seconds the players would go through pushing, shoving, grabbing, hugging, knocking each other down and then lifting one another up. Rodriguez worked with players to reform these gestures: creating sculptures out of bodies, directing and literally layering players upon one another.
At the outset of his project, Rodriguez wanted to create a large family photograph, an idea that was quickly surpassed by other strands of enquiry. However, with a step backwards we can see People of the Mud as just that – a collective community portrait of all the different elements that construct modern, rural Irish identities. Just like any family portrait, it is at times dysfunctional and contradictory; it gathers all the ruptures and continuities between the past and present in modern Ireland, while being held in a landscape and moment in time. This moment is both still – posed and paused – and in perpetual motion, looking towards the future.

Crise de foie - Christine Demias
Anthologie Douteuses (2010—2020) - Élodie Petit & Marguerin Le Louvier
La peinture c'est comme les pépites - Pierre Yves-Hélou + Tirage
Dernier royaume - Quentin Derouet
Parataxes + CD - Michael Gendreau
Before Science - Gilles Pourtier, Anne-Claire Broc'h
12345678 - Maya Strobbe
Piotr - Pierre Escot, Denis Lavant
A l'origine - Anne-Émilie-Philippe
The Book Fight - Chihoi
Pureté et impureté de l’art. Michel Journiac et le sida Antoine Idier
Le vieux père - Laurent Kropf
Mosaïque d'asphalte - Jack Torrance
L'inventaire des destructions - Éric Watier
Woman Journal Vol. 4 - Outils d'Émancipation (Tools for Emancipation)
Un essai sur la typographie - Eric Gill
Dédale - Laurent Chardon
Matriochka - Fanette Mellier (3ème ed.)
Après la révolution – numéro 1
L’Écureuil de James - Alice Brière-Haquet, Liuna Virardi
America - Ayline Olukman, Hélène Gaudy
La tour Tatline - Georgi Stanishev
La traversée - Magali Brueder
Humoral Fortuities - Francesco Albano’s
Prototype 02 - morcellement
Le déclin du professeur de tennis - Fabienne Radi
Blaclywall by Sihab Baik - Claude Closky
La France de tête #04
Talweg 6 - La distance
Le Choix du peuple - Nicolas Savary, Tilo Steireif
Fluent - Laëticia Donval
Philonimo - Le Corbeau d’Épictète - Alice Brière-Haquet, Csil
Piano - Joseph Charroy
Philonimo - Le Canard de Wittgenstein - Alice Brière-Haquet, Loïc Gaume
Philonimo - Le Chien de Diogène - Alice Brière-Haquet, Kazuko Matt
Donne des racines au loup-garou & fais courir l'arbre la nuit - Pauline Barzilaï
Tanière de lune - Maria-Mercé Marçal
Temps d'arrêt - Etienne Buyse
Radio-Art - Tetsuo Kogawa
Dialogue de dessins 7 - Jochen Gerner, Guillaume Chauchat 











































