People of the Mud is a powerful new series by Berlin-based US-Dominican artist Luis Alberto Rodriguez, made collaboratively amongst the communities of County Wexford in Ireland, where ancient tradition and modern life rub shoulders daily.

With a background in professional dance, Rodriguez’s work pays tribute to the metaphorical weight of centuries of physical labour behind cultivating the landscape and maintaining cultural heritage. Images of scarred limbs and hands, weathered faces and choreographed bodies appear as a cartography of this labour, reflecting how culture both shapes and is shaped by individuals. Elsewhere, we see the exaggerated glamour of modern female Irish dancers taken out of the glitzy ballrooms and into the fields, creating a rupture across time and space.
While in Wexford, Rodriguez was struck by the intense physicality of the sport of hurling. Considered to be the fastest sport on grass, while watching slow-motion footage of hurling Rodriguez saw that within seconds the players would go through pushing, shoving, grabbing, hugging, knocking each other down and then lifting one another up. Rodriguez worked with players to reform these gestures: creating sculptures out of bodies, directing and literally layering players upon one another.
At the outset of his project, Rodriguez wanted to create a large family photograph, an idea that was quickly surpassed by other strands of enquiry. However, with a step backwards we can see People of the Mud as just that – a collective community portrait of all the different elements that construct modern, rural Irish identities. Just like any family portrait, it is at times dysfunctional and contradictory; it gathers all the ruptures and continuities between the past and present in modern Ireland, while being held in a landscape and moment in time. This moment is both still – posed and paused – and in perpetual motion, looking towards the future.

Turbo Decompress - Coll.
Illusive prosody - Alex Beaurain
Le style anthropocène - Philippe Rahm
Vases Communicants - Hélène Drénou
La France de tête - Lot de 4 numéros
La traversée - Magali Brueder
Sans-Titre - Laurens Van'T Riet
La grande surface de réparation - Gilles Pourtier
Pénurie - Zivo, Jérôme Meizoz
Saint Julien l'hospitalier Tome 1 - Claire Pedot
Promenade au pays de l'écriture - Armando Petrucci
Temps d'arrêt - Etienne Buyse
Papier magazine n°06 - Coupe du monde
Keywording (Post) Contemporary Art - Greta Rusttt
Alma Mater n°1
Imagos - Noémie Lothe
ARTZINES #1, Paris issue
Sans titre - Chris Kiss
Saint Julien l'hospitalier Tome 2 - Claire Pedot
Le dos des choses - Guillaume Goutal
La construction - Perrine Le Querrec
Holy etc. - Fabienne Radi
Strates & Archipels - Pierre Merle
Cuadernos - Henry Deletra
Roven n°5
akaBB - tribute to Roni horn
Fluent - Laëticia Donval
Ventoline 5 - Coll.
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
À partir de n°1 - Coll.
Oblikvaj 4 - Last minute Shodo - Thomas Perrodin, Ensemble Batida
Une goutte d'homme - Alice Dourlen
Paysageur n°3 - Mobiles
Morph - Camilo García A.
Talweg 6 - La distance
Éclats III - Athanor
Le Choix du peuple - Nicolas Savary, Tilo Steireif
Photographic Fields - Joël Van Audenhaege
Image Canoë - Jérémie Gindre
Gruppen n°13 - Collectif
Le chateau enchanté - Atelier Mclane
L'inventaire des destructions - Éric Watier
Revue La Ronde n°14
Seoul Flowers & Trees - tribute to Lee Friedlander
Gros Gris n°4 - Duel
Mökki n°2
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Assembly - Sam Porritt
Wayfaring - Patrick Messina, André S. Labarthe
Dédale - Laurent Chardon
Sans titre - Benjamin Hartmann
Carnivore - Grow
Titanic Orchestra - Julien Mauve
Grilles - Zelda Mauger
Dear Paul - Paul Van der Eerden
Mökki n°4
Slanted 24 - Istanbul
SKKS - Gilles Pourtier 











































