‘Oscurana’ presents a body of work that results from the various trips that Antoine d’Agata has made during more than thirty years in American countries: Brazil, Peru, Nicaragua, Salvador, Ecuador, Bolivia, Guatemala, Haiti, Puerto Rico, United States, Cuba, and Mexico.

The images are notable for its immediate, almost brutal vision of the societies taken by the brutal spiral of violence. Through the degeneration and paroxysm of the flesh, the photographer tries to reveal fragments of a society that escape the usual analysis and visualization of the collective body. He exposes himself, sharpens his awareness of a world that absorbs and feeds, without any precaution or judgment.
Edited from a common selection of Antoine d’Agata’s images from Latin America, 7 different books share the same dimensions, title and artistic statement – a text called ‘Oscurana’. The project is done by different invited publishers, that were given the freedom to select the images, the design, the materials, printing and binding techniques.
‘Oscurana’ is a collaborative project developed amongst 6 publishers from different countries. Offering a reflection on the work of the Antoine d’Agata by several countries and publishers, in a dialogue that opens new perspectives in the ways of making photobooks.
For ‘Oscurana’ project, Void proposes a book to be autopsied. The reader will dig in the darkness within Antoine’s oeuvre, being themselves, the legists of d’Agata’s universe. An investigation from the intimacy, through the narcotic experiences until the darkness of the violence’s banality in America.
120 Pages
400 copies
Softcover

People in a faraday cage - Stéphanie Gygax
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Changer l'art par ses marges ? - Charlotte Laubard
Modern Instances, The Craft of Photography - Stephen Shore
IRL - In real life n°1 - Coll.
Ce que l'histoire fait au graphisme - Clémence Imbert
akaBB - tribute to Roni horn
Le style anthropocène - Philippe Rahm
Comment quitter la terre ? - Jill Gasparina, Christophe Kihm, Anne-Lyse Renon
Huts, Temples, Castles - Ursula Schulz-Dornburg
La peinture c'est comme les pépites - Pierre Yves-Hélou + Tirage
Yerevan 1996/1997 - Ursula Schulz-Dornburg
Design sous artifice : la création au risque du machine learning - Anthony Masure
Migrant Mother, Migrant Gender - Sally Stein
Bokkusu - Nigel Peake
Boundary - Nigel Peake
La construction - Perrine Le Querrec
Goodbye - Hsia-Fei Chang, Sofia Eliza Bouratsis, Medhi Brit, Enrico Lunghi
Manifeste d'intérieurs ; penser dans les médias élargis - Javier Fernández Contreras
Vases Communicants - Hélène Drénou
Aurore Colbert - Marie Mons
Awakening at the inn of the birds - Aymeric Vergnon
Tee A. Corinne: A forest fire between us - Charlotte Flint (ed.)
Entretiens – Jérôme Dupeyrat
L'inventaire des destructions - Éric Watier
Critique d'art n°56
Watch out - Anne-Émilie-Philippe
The Image of Whiteness - Daniel C. Blight 



















