Artist Marleen Sleeuwits, known for her photography, objects and installations, takes this experimental book to propose a four-tiered representation of space: starting with two-dimensional images of space, that are then placed in a scale model, to the photos taken inside this model and, finally, to their convergence in this book. The spaces could be anything from a museum to a lobby or a passageway: locations we know as places for contemplation, for waiting or for movement. The condition of the spaces’ bare walls is hard and sober, offering little support: the space you see in front of you and the space outside your field of view, foreground and background, seem to be absorbed in a timeless vacuum.
Surely there is space beyond our sight, in the realm of our imagination, containing much of our desire. How we would love to reach out for tangible attachments to activate the bare, cold or sober life: a supportive foundation not to be found in the spaces this book contains.
Depicted here are immersive spaces, waiting for someone to come and touch base. This way the book, as a space, is a challenging environment. As we leaf through these rooms, we can sharpen our view of the world: when will these spaces come to life and who will lead the way: the room, or the user? Sleeuwits touches upon the question how we might find consideration in such places. On the Soft Edge of Space is a visual experiment and a challenge to our imagination.
72 P.
—
Contributing writers: Edo Dijksterhuis, Basje Boer and Freek Lomme
Graphic Design: Karin Mientjes of Collective Works, The Hague
Color correction and lithography by Marc Gijzen
Printed by Drukkerij Roelofs BV, Enschede
Binding by Van Waarden
All paper supplied by Igepa, paper merchant, Tiel:
Lessebo design 1.3 white, 130 g/m, page 1 till
PhoeniXmotion Xenon, 150 g/m, page till
Marleen Sleeuwits is represented by Gallery LhGWR, The Hague and Gallery FeldbuschWiesner, Berlin
This publication has been made possible with the financial support of Stroom The Hague, the Mondriaan Fund and the Prins Bernhard Cultuurfonds / Josine de Bruyn Kops Fonds.
And sponsoring by Igepa paper and Souverein (post-production)
ABOUT THE ARTIST
Marleen Sleeuwits (23 June, 1980) works and lives in The Hague. Following her study at the Royal Academy of Art, The Hague, she earned her Master’s in Photography at St. Joost, Breda in 2005. She is being represented by Gallery LhGWR in The Hague and by Gallery FeldbuschWiesner in Berlin.
Her photo works, objects and installations have been exhibited, among other places, in MKgalerie in Rotterdam; Belfast Photo Festival; the Nederlands Fotomuseum; Nieuwe Vide Haarlem; Brno House of Arts, Czech Republic; Museum de Fundatie in Zwolle; Belo Horizonte International Festival of Photography, Brasil; Museum Het Valkhof; Jeonju Photo Festival in South Korea; and Photo Levallois, Paris,
Marleen Sleeuwits was elected Foam Talent 2012 (Foam fotografiemuseum Amsterdam) and in 2013, she was a finalist at the prestigious International Festival of Fashion and Photography in Hyères, France.
Her work is represented in collections of institutions like the Erasmus University Rotterdam; KPMG; De Brauw Blackstone and Westbroek; Heden Den Haag; Ministry of Foreign Affairs and various private collections including the Sanders Collection.

Lausanne - Ronan Bouroullec
Jean-Jacques a dit - Angèle Douche
DIRECT ACTION - Ben Russell et Guillaume Cailleau.
Comment réparer : La maternité et ses fantômes - Iman Mersal
Publication Revue N°1
HOOT #5 - Grégoire Devidal, Agathe Boulanger et Gwendal Raymond.
Matriochka - Fanette Mellier (3ème ed.)
Le vieux père - Laurent Kropf
point vernal -
L'inventaire des destructions - Éric Watier
Derby - Editions Passe en Profondeur
Photographic Fields - Joël Van Audenhaege
1000€ le G - Cédric Elmerich
A l'origine - Anne-Émilie-Philippe
Strates - Else Bedoux
Télégraphes de l'Utopie – L'art des avant-gardes en Europe Centrale 1918-1939 - Sonia de Puineuf
Parents Must Unite + Fight – Hackney Flashers - Camille Richert, Hackney Flashers
Pierre et Fleur - Mélanie Corre
Pain liquide n° 01
Strates & Archipels - Pierre Merle
Do insects play ? - Johanna Tagada Hoffbeck
Eros negro n°4 - Démoniak
Piano - Joseph Charroy
Travaux Discrets (d'après Brueghel) - Éric Watier
Le chateau enchanté - Atelier Mclane
Rue Englelab, La révolution par les livres - Iran 1979 - 1983 - Hannah Darabi
Jérôme LeGlatin (avec Mel Crawford) - Le Crash
Marcel Proust en cinq minutes — Jackson B. Smith
UP8 — Pour une pédagogie de l'architecture
The Shelf - Journal 3
Good Company - Paul Van der Eerden
Bienvenue à Colomeri ! - Hécate Vergopoulo,
Anthologie Douteuses (2010—2020) - Élodie Petit & Marguerin Le Louvier
Revue Les Saisons n°3
Party Studies – Vol. 1 – Home gatherings, flat events, festive pedagogy and refiguring the hangover
ADBC du Dessin - Jacques Floret
Comment quitter la terre ? - Jill Gasparina, Christophe Kihm, Anne-Lyse Renon
Strange Design - Ed. Jehanne Dautrey et Emanuele Quinz.
Pénurie - Zivo, Jérôme Meizoz
Ar(t)chitectures situées - Étienne Delprat
interférence - 3 - maycec
moj’am al arabeia - Farah Khelil & antoine lefebvre editions 



























