A treasure trove of Japanese ’60s graphic design, as captivating now as it was then.

After World War II, alphabet typography became an everyday part of life in Japan as printed materials, notices, and signs in foreign languages, particularly English, flooded streets and homes alike. With their well-defined forms, rhythmical lines, and variously delicate, dignified, or fanciful air, these letters and symbols not only brilliantly satisfied their original design purpose, but are delightful to look at even today.
This volume, a reedited reprint of a collection originally published in 1962, brings together the best of alphabet typography from ’60s Japan, including some seventy letter and number fonts both practical and ornamental along with roughly a thousand monograms combining letters and numerals in a variety of forms.
□ size: 148 × 105 × 24 mm, 210 g
□ binding: softcover
□ pages: 276

Le corps travesti - Michel Journiac
Superbemarché - Coll.
Cyclone - Juliette Chalaye
Critique & création - L.L. de Mars
Tropism - Nhu Xuan Hua
Zoom Age - Julien Auregan
Dear Paul - Paul Van der Eerden
La Typographie post-binaire au delà de l'écriture inclusive - Camille Circlude
Eros negro n°3 - Démoniak
All Wet - Maryin Winter
The Book Fight - Chihoi
Trous gris - Michel Vachey
Anémochorie - Antonin Detemple
Ce que l'histoire fait au graphisme - Clémence Imbert
The white bird - Harrison Miller
Isaiah Zagar . off zine 1
Photographic Fields - Joël Van Audenhaege
Je ne peux pas ne pas - Geneviève Romang
Illusive prosody - Alex Beaurain
De l'objet (comme un parcours) - Collectif, Sandra Chamaret 



















