A treasure trove of Japanese ’60s graphic design, as captivating now as it was then.

After World War II, alphabet typography became an everyday part of life in Japan as printed materials, notices, and signs in foreign languages, particularly English, flooded streets and homes alike. With their well-defined forms, rhythmical lines, and variously delicate, dignified, or fanciful air, these letters and symbols not only brilliantly satisfied their original design purpose, but are delightful to look at even today.
This volume, a reedited reprint of a collection originally published in 1962, brings together the best of alphabet typography from ’60s Japan, including some seventy letter and number fonts both practical and ornamental along with roughly a thousand monograms combining letters and numerals in a variety of forms.
□ size: 148 × 105 × 24 mm, 210 g
□ binding: softcover
□ pages: 276

La Bibliothèque grise - Jérôme Dupeyrat & Laurent Sfar
Spécimen Typographique : No Ko - Loris Pernoux
Eldorado maximum - Les commissaires anonymes
Victor Papanek - Design pour un monde réel
We want to look up at the Sun, but could the Sun be looking down on us? - Rudy Guedj & Olivier Goethals
Intérieur - Samoth Trauberchel
Feminae Explorarum - Ingrīda Pičukān
Untitled (Comic Book) - Frédérique Rusch
Critique & création - L.L. de Mars
Optical Sound 3
Imagos - Noémie Lothe
Lazy Painter - Angela Gjergjaj, Jordi Bucher and Mirco Petrini
Ventoline 5 - Coll.
Absorber les fantômes - coll
Eros negro n°3 - Démoniak
Slow Down Abstractions - Adrien Vescovi
Reading - Ilan Manouach
Strates - Else Bedoux
Titanic Orchestra - Julien Mauve
Une livre - Christine Demias
Assembly - Sam Porritt
Graphzine Visages
Un essai sur la typographie - Eric Gill
Erlebnispark - Paul & Carla
Saint Julien l'hospitalier Tome 3 - Claire Pedot
Chausse-trape - Henri Crabières
La typographie des Penguin Classics - Andrew Barker 



















