A treasure trove of Japanese ’60s graphic design, as captivating now as it was then.

After World War II, alphabet typography became an everyday part of life in Japan as printed materials, notices, and signs in foreign languages, particularly English, flooded streets and homes alike. With their well-defined forms, rhythmical lines, and variously delicate, dignified, or fanciful air, these letters and symbols not only brilliantly satisfied their original design purpose, but are delightful to look at even today.
This volume, a reedited reprint of a collection originally published in 1962, brings together the best of alphabet typography from ’60s Japan, including some seventy letter and number fonts both practical and ornamental along with roughly a thousand monograms combining letters and numerals in a variety of forms.
□ size: 148 × 105 × 24 mm, 210 g
□ binding: softcover
□ pages: 276

Paris la Consciencieuse : Paris la Guideuse du monde - Frédéric Bruly Bouabré
Prélude - Julien Gobled
twen [1959–1971]
It was a good day - Jeremy Le Corvaisier
Atopoz - Collectif
Prendre l’image, Le graphisme comme situation politique - Olivier Huz
Planète B - Gwenola Wagon
Critique d'art n°55
Les danseurs du Balajo - 2017-2018 - Carole Bellaïche
Saint Julien l'hospitalier Tome 3 - Claire Pedot
Alma Mater n°1
Illusive prosody - Alex Beaurain
本の本の本 - antoine lefebvre editions,
Ventoline 5 - Coll.
Cheat Sheets - Tiger Tateishi
Lili, la rozell et le marimba / revue n°2
Marc's Souvenirs - Marc Hennes
The Letter A looks like The Eiffel Tower - Paul Andali
Sillo n°3 - Le Fauve
Après la révolution – numéro 1
La vallée - la brèche - Tania Maria Elisa
La traversée - Magali Brueder
La mémoire en acte - Quarente ans de création musicale
Retour d'y voir - n° 3 & 4 - Mamco
Anderlecht — Molenbeek - Pierre Blondel
Sakae Osugi – Anarchiste japonais – Ville de St-Denis 1923 - Katja Stuke, Oliver Sieber
Brush Master - Jasper "Mississippi" Travis 



















