A treasure trove of Japanese ’60s graphic design, as captivating now as it was then.

After World War II, alphabet typography became an everyday part of life in Japan as printed materials, notices, and signs in foreign languages, particularly English, flooded streets and homes alike. With their well-defined forms, rhythmical lines, and variously delicate, dignified, or fanciful air, these letters and symbols not only brilliantly satisfied their original design purpose, but are delightful to look at even today.
This volume, a reedited reprint of a collection originally published in 1962, brings together the best of alphabet typography from ’60s Japan, including some seventy letter and number fonts both practical and ornamental along with roughly a thousand monograms combining letters and numerals in a variety of forms.
□ size: 148 × 105 × 24 mm, 210 g
□ binding: softcover
□ pages: 276

Optical Sound 3
Véhicule N°7 - Collectif
Jérôme LeGlatin (avec Mel Crawford) - Le Crash
OKATAOKA MEETS FOLK ART SERIES “HELLO MEXICO”
Spécimen Typographique : No Ko - Loris Pernoux
People in a faraday cage - Stéphanie Gygax
Courir - David Simpson
interférence - 2 - maycec
IUZZA. Goliarda Sapienza - Francesca Todde
Slanted 30 - Athens
Tarwar - Ilan Manouach
Dédale - Laurent Chardon
Editer l’art – Leszek Brogowski
Followers - Agnès Wyler
De lave et de fer - Laurent Feynerou
Inchiostri + Inchiostri Supplement - Ronan Bouroullec
Temps d'arrêt - Etienne Buyse
Working men have no country - Coll.
La grande surface de réparation - Gilles Pourtier
Miniatures - Benjamin Monti, Annabelle Dupret
Blanche Endive - Grégoire Motte & Gabriel Mattei
Sans titre - Chris Kiss
Titanic Orchestra - Julien Mauve
Brush Master - Jasper "Mississippi" Travis 



















