Odds and Ends considers the end as guiding principle in everything around us, and delineates a portrait of an abandoned, still-smoking Earth. Marie Quéau has set out to explore lands and terrains that might be vectors for her anxieties about the future. She often undertakes this work as an obituary for our planet, harking to its accidents and its slow collapse. This investigation progresses as a hopscotch of sorts, one place immediately leading to the next. Over five years, wind, earth, and fire have guided her in piecing together this fatal fable. Time has been intentionally frozen to muffle life. This series is, in her eyes, a poem without men.

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Après la révolution – numéro 1
Shanghai Cosmetic - Leslie Moquin
Sans titre - Benjamin Hartmann
Musée des Beaux-Arts - Pierre Martel
Entretiens – Jérôme Dupeyrat
Tomber dans l'escalier - Jasper Sebastian Stürup
Editer l’art – Leszek Brogowski
Turbo Decompress - Coll.
Amos Gitai et l'enjeu des archives - Jean-Michel Frodon
Grilles - Zelda Mauger
Eldorado maximum - Les commissaires anonymes
Éclats III - Athanor
Alma Mater n°1
Talweg 6 - La distance
Illusive prosody - Alex Beaurain
Mökki n°2
RÉVÉSZ LÁSZLÓ LÁSZLÓ , Not Secret
Optical Sound 3
movement in squares - Stefanie Leinhos
Un peu comme voir dans la nuit - Leif Elggren + CD
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
Le corps travesti - Michel Journiac
Blaclywall by Sihab Baik - Claude Closky
Escape - Makiko Minowa
Temps d'arrêt - Etienne Buyse
Les soleils qui tournent ont des oreilles - coll.
Je ne peux pas ne pas - Geneviève Romang
America - Ayline Olukman, Hélène Gaudy
Strates & Archipels - Pierre Merle
Critique d'art n°55
À partir de n°1 - Coll.
Der Erste Rotkehlchen - Le livre 





















