Odds and Ends considers the end as guiding principle in everything around us, and delineates a portrait of an abandoned, still-smoking Earth. Marie Quéau has set out to explore lands and terrains that might be vectors for her anxieties about the future. She often undertakes this work as an obituary for our planet, harking to its accidents and its slow collapse. This investigation progresses as a hopscotch of sorts, one place immediately leading to the next. Over five years, wind, earth, and fire have guided her in piecing together this fatal fable. Time has been intentionally frozen to muffle life. This series is, in her eyes, a poem without men.

SILVER PRINT + HARD COVER 180 PAGES 220 X 280 MM 500 COPIES

Objets Minces - Collectif
Échec et scotome - Jean Otth
Plus c'est facile, plus c'est beau : prolégomènes à la plus belle exposition du monde - Éric Watier
(page 1 et 17) - Lorraine Druon
Good Company - Paul Van der Eerden
La Typographie post-binaire au delà de l'écriture inclusive - Camille Circlude
Aurore Colbert - Marie Mons
Rasclose - Geoffroy Mathieu
the Ghost of Weaving - Coll.
Sans titre - Chris Kiss
Mökki n°4
Imagos - Noémie Lothe
Burning Images, A History of Effigy Protests - Florian Göttke
Teddy et le Grand Terrible - Orian Mariat.
Le chateau enchanté - Atelier Mclane
Le vieux père - Laurent Kropf
本の本の本 - antoine lefebvre editions,
Oblikvaj 2 - L'amour à la maison - Yannis La Macchia, Ensemble Battida
Berlin Design Digest
Habitante 2 - Coll.
Bambi # 4 - Collectif
Les soleils qui tournent ont des oreilles - coll.
Machiavel chez les babouins - Tim Ingold
Gros Gris n°4 - Duel
Prose postérieure - Les commissaires anonymes
In The Navy - Julien Kedryna
Seoul Flowers & Trees - tribute to Lee Friedlander 





















