Odds and Ends considers the end as guiding principle in everything around us, and delineates a portrait of an abandoned, still-smoking Earth. Marie Quéau has set out to explore lands and terrains that might be vectors for her anxieties about the future. She often undertakes this work as an obituary for our planet, harking to its accidents and its slow collapse. This investigation progresses as a hopscotch of sorts, one place immediately leading to the next. Over five years, wind, earth, and fire have guided her in piecing together this fatal fable. Time has been intentionally frozen to muffle life. This series is, in her eyes, a poem without men.

SILVER PRINT + HARD COVER 180 PAGES 220 X 280 MM 500 COPIES

À partir de n°1 - Coll.
Before Science - Gilles Pourtier, Anne-Claire Broc'h
Jérôme LeGlatin (avec Mel Crawford) - Le Crash
Saveurs imprévues et secrètes - Gilbert Lascault
Un essai sur la typographie - Eric Gill
Revue Les Saisons n°3
Bande Annonce - Cinéma & Bande Dessinée - Coll.
Turbo Decompress - Coll.
Cuadernos - Henry Deletra
Gros Gris n°4 - Duel
Der Erste Rotkehlchen - Le livre
Je ne peux pas ne pas - Geneviève Romang
Holy etc. - Fabienne Radi
De lave et de fer - Laurent Feynerou
Délié - Baptiste Oberson
ICCMHW - Atelier Choque Le Goff
Pectus Excavatum - Quentin Yvelin
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
La typographie des Penguin Classics - Andrew Barker
La prise - Florian Javet
Wayfaring - Patrick Messina, André S. Labarthe
Titanic Orchestra - Julien Mauve
Seoul Flowers & Trees - tribute to Lee Friedlander
Rasclose - Geoffroy Mathieu
Saint Julien l'hospitalier Tome 3 - Claire Pedot
Savoir Revivre - Jacques Massacrier
America - Ayline Olukman, Hélène Gaudy
Piano - Joseph Charroy
Retour d'y voir - n° 1 & 2 - Mamco 





















