Odds and Ends considers the end as guiding principle in everything around us, and delineates a portrait of an abandoned, still-smoking Earth. Marie Quéau has set out to explore lands and terrains that might be vectors for her anxieties about the future. She often undertakes this work as an obituary for our planet, harking to its accidents and its slow collapse. This investigation progresses as a hopscotch of sorts, one place immediately leading to the next. Over five years, wind, earth, and fire have guided her in piecing together this fatal fable. Time has been intentionally frozen to muffle life. This series is, in her eyes, a poem without men.

SILVER PRINT + HARD COVER 180 PAGES 220 X 280 MM 500 COPIES

La Typographie Moderne - Robin Kinross
Photographic Fields - Joël Van Audenhaege
Good Company - Paul Van der Eerden
genital or genius - Paul
Comic Book (Untitled) - Stéphanie Leinhos
Roven n°5
Yerevan 1996/1997 - Ursula Schulz-Dornburg
Censored n°05 - Transmission
Perles & Fracas - Bill Noir
Titties - Nour Hifaoui
Florina Leinß - Ersatzteillager
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Email Diamant - Fabienne Radi
Eros negro n°4 - Démoniak
Mökki n°2
Gros Gris n°4 - Duel
Sillo n°3 - Le Fauve
Gone - Pierre La Police
It was a good day - Jeremy Le Corvaisier
Le lacéré anonyme - Jacques Villeglé
À partir de n°1 - Coll.
Un peu comme voir dans la nuit - Leif Elggren + CD
Revue La Ronde n°14
Ce que l'histoire fait au graphisme - Clémence Imbert
Femme, Arabe et... Cinéaste - Heiny Srour
La Grande révolution - Une histoire de l'architecture féministe - Dolores Hayden
Grilles - Zelda Mauger
Marginalia - Clément Laigle
Saint Julien l'hospitalier Tome 2 - Claire Pedot
Dada à Zurich – Le mot et l’image (1915-1916)Hugo Ball
Pectus Excavatum - Quentin Yvelin 





















