Odds and Ends considers the end as guiding principle in everything around us, and delineates a portrait of an abandoned, still-smoking Earth. Marie Quéau has set out to explore lands and terrains that might be vectors for her anxieties about the future. She often undertakes this work as an obituary for our planet, harking to its accidents and its slow collapse. This investigation progresses as a hopscotch of sorts, one place immediately leading to the next. Over five years, wind, earth, and fire have guided her in piecing together this fatal fable. Time has been intentionally frozen to muffle life. This series is, in her eyes, a poem without men.

SILVER PRINT + HARD COVER 180 PAGES 220 X 280 MM 500 COPIES

ARTZINES #1, Paris issue
I Am Not I - Boris Mikhailov
Saint Julien l'hospitalier Tome 3 - Claire Pedot
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Jardín de mi padre - Luis Carlos Tovar
Slanted 30 - Athens
Le vieux père - Laurent Kropf
Optical Sound 3
UP8 — Pour une pédagogie de l'architecture
To Be Determined: Photography and the Future - Duncan Wooldridge
America - Ayline Olukman, Hélène Gaudy
Bacon le Cannibale - Perrine Le Querrec
interférence - 3 - maycec
Denver Mosaic 1961 - René Heyvaert
Rupture (fragments) - Benjamin Monti, Jean-Charles Andrieu de Levis
IMPROVISATION N. 190220 - Miki Lowe
Le blanc nez - Fouss Daniel
Pectus Excavatum - Quentin Yvelin
Fluent - Laëticia Donval 





















