Odds and Ends considers the end as guiding principle in everything around us, and delineates a portrait of an abandoned, still-smoking Earth. Marie Quéau has set out to explore lands and terrains that might be vectors for her anxieties about the future. She often undertakes this work as an obituary for our planet, harking to its accidents and its slow collapse. This investigation progresses as a hopscotch of sorts, one place immediately leading to the next. Over five years, wind, earth, and fire have guided her in piecing together this fatal fable. Time has been intentionally frozen to muffle life. This series is, in her eyes, a poem without men.

SILVER PRINT + HARD COVER 180 PAGES 220 X 280 MM 500 COPIES

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Hérésie Étiologique - coll.
Échec et scotome - Jean Otth
Prose postérieure - Les commissaires anonymes
Roven n°4
Spécimen Typographique : No Ko - Loris Pernoux
Salt Crystal - Fabio Parizzi
Tanière de lune - Maria-Mercé Marçal
La construction - Perrine Le Querrec
America - Ayline Olukman, Hélène Gaudy
moj’am al arabeia - Farah Khelil & antoine lefebvre editions
Travaux Discrets (d'après Brueghel) - Éric Watier
Goodbye - Hsia-Fei Chang, Sofia Eliza Bouratsis, Medhi Brit, Enrico Lunghi
Le blanc nez - Fouss Daniel
interférence - 2 - maycec
Feminist Art Activisms and Artivisms - Katy Deepwell (ed.)
Pectus Excavatum - Quentin Yvelin
Pureté et impureté de l’art. Michel Journiac et le sida Antoine Idier
Polyphème (d'après Euripide) - J. & E. LeGlatin
SKKS - Gilles Pourtier
Délié - Baptiste Oberson
Flynn zine # 1 - Flynn Maria Bergmann
La tour Tatline - Georgi Stanishev
Aurore Colbert - Marie Mons
Rasclose - Geoffroy Mathieu 





















