Odds and Ends considers the end as guiding principle in everything around us, and delineates a portrait of an abandoned, still-smoking Earth. Marie Quéau has set out to explore lands and terrains that might be vectors for her anxieties about the future. She often undertakes this work as an obituary for our planet, harking to its accidents and its slow collapse. This investigation progresses as a hopscotch of sorts, one place immediately leading to the next. Over five years, wind, earth, and fire have guided her in piecing together this fatal fable. Time has been intentionally frozen to muffle life. This series is, in her eyes, a poem without men.

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WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
Ce qu'est ce que - Gabriel Hibert
Construire un lac, faire disparaître des cailloux, porter un chapeau - Damien Tran
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
De tels baisers - Jul Gordon
Flower finds - Orianne Jeanselme
Gruppen n°13 - Collectif
Prose postérieure - Les commissaires anonymes
Le dos des choses - Guillaume Goutal
Optical Sound 2
Retour d'y voir - n° 3 & 4 - Mamco
Illusive prosody - Alex Beaurain
RISO Le Cygne de Popper - Philonimo 7 - Janik Coat
Je ne peux pas ne pas - Geneviève Romang
Titanic Orchestra - Julien Mauve
Gruppen n°14 - Collectif
Slanted 24 - Istanbul
The Shelf - Journal 3
Le Choix du peuple - Nicolas Savary, Tilo Steireif
Sans titre - Chris Kiss
Sillo n°3 - Le Fauve
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Lili, la rozell et le marimba / revue n°2
Anthologie Douteuses (2010—2020) - Élodie Petit & Marguerin Le Louvier
Marginalia - Clément Laigle
Zombie Girls 2.0 - Lucie Lučanská
L'amour/Mon ange - Brûle et / Demange - Samoth Trauberchel
In The Navy - Julien Kedryna
La peinture c'est comme les pépites - Pierre Yves-Hélou + Tirage 





















