In 2015, French artist Thomas Sauvin acquired an album produced in the early 1980s by an unknown Shanghai University photography student. The album comprises original negatives, silver prints, manuscript comments from an anonymous professor, and shows the student’s diligence in mastering the rules applying to the conventional portrait. This volume was given a second life through the expert hands of Kensuke Koike, a Japanese artist based in Venice whose practice combines collage and found photography.

The series, “No More, No Less”, born from the encounter between Koike and Sauvin, includes new silver prints made from the album’s original negatives. These prints were then submitted to Koike’s sharp imagination, who, with a simple blade and adhesive tape, deconstructs and reinvents the images. However, these purely manual interventions all respect one single formal rule: nothing is removed, nothing is added, “No More, No Less”. In such a context that blends freedom and constraint, Koike and Sauvin meticulously explore the possibilities of an image only made up of itself.
Edition of 400
76 pages
One folded sheet + 2 booklets
Duotone / CYMK / Silver Pantone

Apiary - Robin Friend
Graphzine Visages
Paris la Consciencieuse : Paris la Guideuse du monde - Frédéric Bruly Bouabré
love forever - Victoria Hespel
š! #39 'The End' - coll.
Trous gris - Michel Vachey
SNAKKEBOB … Kan jeg få et ord med deg? Tim Ng Tvedt
Guten Tag - Pablo Tomek
Shanghai Cosmetic - Leslie Moquin
MAN - Erik Kessels, Karel De Mulder
Holy etc. - Fabienne Radi
Photographic Fields - Joël Van Audenhaege
Temps d'arrêt - Etienne Buyse
Saint Julien l'hospitalier Tome 1 - Claire Pedot
Piano - Joseph Charroy
Tools #04 – Couper / To Cut
Wayfaring - Patrick Messina, André S. Labarthe
interférence - 3 - maycec 

























