In 2015, French artist Thomas Sauvin acquired an album produced in the early 1980s by an unknown Shanghai University photography student. The album comprises original negatives, silver prints, manuscript comments from an anonymous professor, and shows the student’s diligence in mastering the rules applying to the conventional portrait. This volume was given a second life through the expert hands of Kensuke Koike, a Japanese artist based in Venice whose practice combines collage and found photography.

The series, “No More, No Less”, born from the encounter between Koike and Sauvin, includes new silver prints made from the album’s original negatives. These prints were then submitted to Koike’s sharp imagination, who, with a simple blade and adhesive tape, deconstructs and reinvents the images. However, these purely manual interventions all respect one single formal rule: nothing is removed, nothing is added, “No More, No Less”. In such a context that blends freedom and constraint, Koike and Sauvin meticulously explore the possibilities of an image only made up of itself.
Edition of 400
76 pages
One folded sheet + 2 booklets
Duotone / CYMK / Silver Pantone

Alma Mater n°1
Un essai sur la typographie - Eric Gill
Dans la Lune - Fanette Mellier
In The Navy - Julien Kedryna
Spécimen Typographique : No Ko - Loris Pernoux
Inflamed Invisible - David Toop
Travaux Discrets (d'après Brueghel) - Éric Watier
Aristide n°4
The Book Fight - Chihoi
Zoom Age - Julien Auregan
The Shelf - Journal 3
Le singe et le bijoux - Roxane Lumeret
Délié - Baptiste Oberson
Je ne peux pas ne pas - Geneviève Romang
Sans titre - Benjamin Hartmann
It was a good day - Jeremy Le Corvaisier
Talweg 6 - La distance
Le Choix du peuple - Nicolas Savary, Tilo Steireif 

























