In 2015, French artist Thomas Sauvin acquired an album produced in the early 1980s by an unknown Shanghai University photography student. The album comprises original negatives, silver prints, manuscript comments from an anonymous professor, and shows the student’s diligence in mastering the rules applying to the conventional portrait. This volume was given a second life through the expert hands of Kensuke Koike, a Japanese artist based in Venice whose practice combines collage and found photography.

The series, “No More, No Less”, born from the encounter between Koike and Sauvin, includes new silver prints made from the album’s original negatives. These prints were then submitted to Koike’s sharp imagination, who, with a simple blade and adhesive tape, deconstructs and reinvents the images. However, these purely manual interventions all respect one single formal rule: nothing is removed, nothing is added, “No More, No Less”. In such a context that blends freedom and constraint, Koike and Sauvin meticulously explore the possibilities of an image only made up of itself.
Edition of 400
76 pages
One folded sheet + 2 booklets
Duotone / CYMK / Silver Pantone

Critique d'art n°56
In The Navy - Julien Kedryna
Le dos des choses - Guillaume Goutal
Dernier royaume - Quentin Derouet
Saint Julien l'hospitalier Tome 2 - Claire Pedot
Titanic Orchestra - Julien Mauve
De tels baisers - Jul Gordon
Critique d'art n°54
Après la révolution – numéro 1
Cf. - Pierre Olivier Arnaud
Je ne peux pas ne pas - Geneviève Romang
ICCMHW - Atelier Choque Le Goff
De lave et de fer - Laurent Feynerou
Mökki n°4
ARTZINES #3 - Tokyo issue
Roven n°4
Crise de foie - Christine Demias
16 x 421 - Lorraine Druon
Bande Annonce - Cinéma & Bande Dessinée - Coll.
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
Zoom Age - Julien Auregan
Blaclywall by Sihab Baik - Claude Closky
Anderlecht — Molenbeek - Pierre Blondel
Piano - Joseph Charroy
Terrain Glissant - Manon Cezaro
Le Choix du peuple - Nicolas Savary, Tilo Steireif 

























