In 2015, French artist Thomas Sauvin acquired an album produced in the early 1980s by an unknown Shanghai University photography student. The album comprises original negatives, silver prints, manuscript comments from an anonymous professor, and shows the student’s diligence in mastering the rules applying to the conventional portrait. This volume was given a second life through the expert hands of Kensuke Koike, a Japanese artist based in Venice whose practice combines collage and found photography.

The series, “No More, No Less”, born from the encounter between Koike and Sauvin, includes new silver prints made from the album’s original negatives. These prints were then submitted to Koike’s sharp imagination, who, with a simple blade and adhesive tape, deconstructs and reinvents the images. However, these purely manual interventions all respect one single formal rule: nothing is removed, nothing is added, “No More, No Less”. In such a context that blends freedom and constraint, Koike and Sauvin meticulously explore the possibilities of an image only made up of itself.
Edition of 400
76 pages
One folded sheet + 2 booklets
Duotone / CYMK / Silver Pantone

La prise - Florian Javet
Roven n°4
Optical Sound 2
Cuadernos - Henry Deletra
movement in squares - Stefanie Leinhos
Watch out - Anne-Émilie-Philippe
It was a good day - Jeremy Le Corvaisier
Mercometal
Good Company - Paul Van der Eerden
Collage - Laura McMorrow
interférence - 3 - maycec
UPO 2 - J'aimerai être là - Xenia Naselou
Zoom Age - Julien Auregan
Miniatures - Benjamin Monti, Annabelle Dupret
Ice & Cream - Florence Grivel, Julien Burri
Philonimo - Le Lézard de Heidegger - Alice Brière-Haquet, Sophie Vissière
Problèmes de localisation - Élise Legal
Eros negro n°3 - Démoniak
Strates & Archipels - Pierre Merle
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
L'amour/Mon ange - Brûle et / Demange - Samoth Trauberchel
ARTZINES #1, Paris issue
Le Choix du peuple - Nicolas Savary, Tilo Steireif 

























