In 2015, French artist Thomas Sauvin acquired an album produced in the early 1980s by an unknown Shanghai University photography student. The album comprises original negatives, silver prints, manuscript comments from an anonymous professor, and shows the student’s diligence in mastering the rules applying to the conventional portrait. This volume was given a second life through the expert hands of Kensuke Koike, a Japanese artist based in Venice whose practice combines collage and found photography.

The series, “No More, No Less”, born from the encounter between Koike and Sauvin, includes new silver prints made from the album’s original negatives. These prints were then submitted to Koike’s sharp imagination, who, with a simple blade and adhesive tape, deconstructs and reinvents the images. However, these purely manual interventions all respect one single formal rule: nothing is removed, nothing is added, “No More, No Less”. In such a context that blends freedom and constraint, Koike and Sauvin meticulously explore the possibilities of an image only made up of itself.
Edition of 400
76 pages
One folded sheet + 2 booklets
Duotone / CYMK / Silver Pantone

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Salt Crystal - Fabio Parizzi
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Introduction à l'esthétique - Nakai Masakazu
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SKKS - Gilles Pourtier
Le dos des choses - Guillaume Goutal
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Amos Gitai et l'enjeu des archives - Jean-Michel Frodon
Temps d'arrêt - Etienne Buyse
UPO 1 - Earth Art - Rejane Dal Bello
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The Shelf - Journal 3
Blaclywall by Sihab Baik - Claude Closky
Inframince et hyperlié - Philippe Lipcare
Dark optics - David Claerbout
Talweg 6 - La distance
Harry Thaler's Pressed Chair
Imagos - Noémie Lothe 

























