In 2015, French artist Thomas Sauvin acquired an album produced in the early 1980s by an unknown Shanghai University photography student. The album comprises original negatives, silver prints, manuscript comments from an anonymous professor, and shows the student’s diligence in mastering the rules applying to the conventional portrait. This volume was given a second life through the expert hands of Kensuke Koike, a Japanese artist based in Venice whose practice combines collage and found photography.

The series, “No More, No Less”, born from the encounter between Koike and Sauvin, includes new silver prints made from the album’s original negatives. These prints were then submitted to Koike’s sharp imagination, who, with a simple blade and adhesive tape, deconstructs and reinvents the images. However, these purely manual interventions all respect one single formal rule: nothing is removed, nothing is added, “No More, No Less”. In such a context that blends freedom and constraint, Koike and Sauvin meticulously explore the possibilities of an image only made up of itself.
Edition of 400
76 pages
One folded sheet + 2 booklets
Duotone / CYMK / Silver Pantone

Temps d'arrêt - Etienne Buyse
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Pénurie - Zivo, Jérôme Meizoz
Étrangement seuls - Jean-Pascal Princiaux
Shanghai Cosmetic - Leslie Moquin
Je ne peux pas ne pas - Geneviève Romang
Illusive prosody - Alex Beaurain
Tableaux fluo - 2013-2016 - Nina Childress
Les glaciers - Lorraine Druon
L'inventaire des destructions - Éric Watier
Imagos - Noémie Lothe
akaBB - tribute to Roni horn
Sights - Henry McCausland
It was a good day - Jeremy Le Corvaisier
Pectus Excavatum - Quentin Yvelin 

























