In 2015, French artist Thomas Sauvin acquired an album produced in the early 1980s by an unknown Shanghai University photography student. The album comprises original negatives, silver prints, manuscript comments from an anonymous professor, and shows the student’s diligence in mastering the rules applying to the conventional portrait. This volume was given a second life through the expert hands of Kensuke Koike, a Japanese artist based in Venice whose practice combines collage and found photography.

The series, “No More, No Less”, born from the encounter between Koike and Sauvin, includes new silver prints made from the album’s original negatives. These prints were then submitted to Koike’s sharp imagination, who, with a simple blade and adhesive tape, deconstructs and reinvents the images. However, these purely manual interventions all respect one single formal rule: nothing is removed, nothing is added, “No More, No Less”. In such a context that blends freedom and constraint, Koike and Sauvin meticulously explore the possibilities of an image only made up of itself.
Edition of 400
76 pages
One folded sheet + 2 booklets
Duotone / CYMK / Silver Pantone

Entretiens – Jérôme Dupeyrat
Manifeste d'intérieurs ; penser dans les médias élargis - Javier Fernández Contreras
Comme si la nuit avait dévoré le Monde - Philippe Baudouin, Jean-Baptiste Carobolante
Incipit - Aymeric Vergnon
Amos Gitai et l'enjeu des archives - Jean-Michel Frodon
Le Parfum du Silence - Bonnie Colin
9 octobre 1977 - Roberto Varlez
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Sights - Henry McCausland
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
La construction - Perrine Le Querrec
Photographic Fields - Joël Van Audenhaege 

























