In 2015, French artist Thomas Sauvin acquired an album produced in the early 1980s by an unknown Shanghai University photography student. The album comprises original negatives, silver prints, manuscript comments from an anonymous professor, and shows the student’s diligence in mastering the rules applying to the conventional portrait. This volume was given a second life through the expert hands of Kensuke Koike, a Japanese artist based in Venice whose practice combines collage and found photography.

The series, “No More, No Less”, born from the encounter between Koike and Sauvin, includes new silver prints made from the album’s original negatives. These prints were then submitted to Koike’s sharp imagination, who, with a simple blade and adhesive tape, deconstructs and reinvents the images. However, these purely manual interventions all respect one single formal rule: nothing is removed, nothing is added, “No More, No Less”. In such a context that blends freedom and constraint, Koike and Sauvin meticulously explore the possibilities of an image only made up of itself.
Edition of 400
76 pages
One folded sheet + 2 booklets
Duotone / CYMK / Silver Pantone

LSD n° 04 – A manga issue
Notre condition. Essai sur le salaire au travail artistique – Aurélien Catin
Tomber dans l'escalier - Jasper Sebastian Stürup
Dernier royaume - Quentin Derouet
Bobst Graphic 1971-1981 - G. Cachin ; D Fornari ; F Rappo
La typographie des Penguin Classics - Andrew Barker
Photographic Fields - Joël Van Audenhaege
Barrage de Sarrans - Sandrine Marc
Lazy Painter - Angela Gjergjaj, Jordi Bucher and Mirco Petrini
La peinture c'est comme les pépites - Pierre Yves-Hélou + Tirage
Le déclin du professeur de tennis - Fabienne Radi
Il était deux fois - Gary Colin
Le lacéré anonyme - Jacques Villeglé 

























