In 2015, French artist Thomas Sauvin acquired an album produced in the early 1980s by an unknown Shanghai University photography student. The album comprises original negatives, silver prints, manuscript comments from an anonymous professor, and shows the student’s diligence in mastering the rules applying to the conventional portrait. This volume was given a second life through the expert hands of Kensuke Koike, a Japanese artist based in Venice whose practice combines collage and found photography.

The series, “No More, No Less”, born from the encounter between Koike and Sauvin, includes new silver prints made from the album’s original negatives. These prints were then submitted to Koike’s sharp imagination, who, with a simple blade and adhesive tape, deconstructs and reinvents the images. However, these purely manual interventions all respect one single formal rule: nothing is removed, nothing is added, “No More, No Less”. In such a context that blends freedom and constraint, Koike and Sauvin meticulously explore the possibilities of an image only made up of itself.
Edition of 400
76 pages
One folded sheet + 2 booklets
Duotone / CYMK / Silver Pantone

Blaclywall by Sihab Baik - Claude Closky
Editer l’art – Leszek Brogowski
9 octobre 1977 - Roberto Varlez
Bande Annonce - Cinéma & Bande Dessinée - Coll.
Morph - Camilo García A.
Critique & création - L.L. de Mars
Super Kiblind 3
La prise - Florian Javet
Imagos - Noémie Lothe
Strates & Archipels - Pierre Merle
Saveurs imprévues et secrètes - Gilbert Lascault
Halogénure #04
Je ne peux pas ne pas - Geneviève Romang
Vacuité 9090 - Jérémy Piningre
Le blanc nez - Fouss Daniel
Deep state - Mathieu Desjardins
Habitante 2 - Coll.
Wayfaring - Patrick Messina, André S. Labarthe
Critique d'art n°54
Marcel Proust en cinq minutes — Jackson B. Smith
Objets Minces - Collectif
IMPROVISATION N. 190220 - Miki Lowe
Dear Paul - Paul Van der Eerden
Fluent - Laëticia Donval
Dernier royaume - Quentin Derouet 

























