In 2015, French artist Thomas Sauvin acquired an album produced in the early 1980s by an unknown Shanghai University photography student. The album comprises original negatives, silver prints, manuscript comments from an anonymous professor, and shows the student’s diligence in mastering the rules applying to the conventional portrait. This volume was given a second life through the expert hands of Kensuke Koike, a Japanese artist based in Venice whose practice combines collage and found photography.

The series, “No More, No Less”, born from the encounter between Koike and Sauvin, includes new silver prints made from the album’s original negatives. These prints were then submitted to Koike’s sharp imagination, who, with a simple blade and adhesive tape, deconstructs and reinvents the images. However, these purely manual interventions all respect one single formal rule: nothing is removed, nothing is added, “No More, No Less”. In such a context that blends freedom and constraint, Koike and Sauvin meticulously explore the possibilities of an image only made up of itself.
Edition of 400
76 pages
One folded sheet + 2 booklets
Duotone / CYMK / Silver Pantone

The Shelf - Journal 3
La nuit, tu mens - Ambre Husson
Illusive prosody - Alex Beaurain
Roven n°4
Entretiens – Jérôme Dupeyrat
16 x 421 - Lorraine Druon
Lisa Zordan . one-shot the end
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Le chateau enchanté - Atelier Mclane
Awakening at the inn of the birds - Aymeric Vergnon
People in a faraday cage - Stéphanie Gygax
Saint Julien l'hospitalier Tome 1 - Claire Pedot
Laura Mulvay - Fetichisme et curiosité
Aristide n°4
La Typographie post-binaire au delà de l'écriture inclusive - Camille Circlude
Sans titre - Benjamin Hartmann
Hobo Nickel - Damien Sauvage
Du Fennec au Sahara - Guillaume Pinard
Le vieux père - Laurent Kropf
La Bibliothèque grise - Jérôme Dupeyrat & Laurent Sfar
L'abécédaire d'un typographe - Gerrit Noordzij; Jost Hochuli
Dédale - Laurent Chardon 

























