In 2015, French artist Thomas Sauvin acquired an album produced in the early 1980s by an unknown Shanghai University photography student. The album comprises original negatives, silver prints, manuscript comments from an anonymous professor, and shows the student’s diligence in mastering the rules applying to the conventional portrait. This volume was given a second life through the expert hands of Kensuke Koike, a Japanese artist based in Venice whose practice combines collage and found photography.

The series, “No More, No Less”, born from the encounter between Koike and Sauvin, includes new silver prints made from the album’s original negatives. These prints were then submitted to Koike’s sharp imagination, who, with a simple blade and adhesive tape, deconstructs and reinvents the images. However, these purely manual interventions all respect one single formal rule: nothing is removed, nothing is added, “No More, No Less”. In such a context that blends freedom and constraint, Koike and Sauvin meticulously explore the possibilities of an image only made up of itself.
Edition of 400
76 pages
One folded sheet + 2 booklets
Duotone / CYMK / Silver Pantone

Mökki n°2
Party Studies – Vol. 2 – Underground clubs, parallel structures and second cultures
Tableaux fluo - 2013-2016 - Nina Childress
Dans la matrice : le design radical de Ken Isaacs - Susan Snodgrass
Triptyque - Ronan Bouroullec
Les Grands Ensembles - Léo Guy-Denarcy
Eros Negro # 1 - Demoniak
Hideous - Thomas Perrodin, Néoine Pifer
Diario de Plantas (2 volumes) - Gabriel Orozco
Pureté et impureté de l’art. Michel Journiac et le sida Antoine Idier
Roven n°5
movement in squares - Stefanie Leinhos
Pectus Excavatum - Quentin Yvelin
In The Navy - Julien Kedryna
Mapping Bookbinding Poster- Simon Ruault
Le blanc nez - Fouss Daniel
Slikmiks - Mikkel Sommer / Mekl
Titanic Orchestra - Julien Mauve 

























